LEADER 01402nam 2200361Ia 450 001 9910697455103321 005 20080828133850.0 035 $a(CKB)5470000002388391 035 $a(OCoLC)244568448 035 $a(EXLCZ)995470000002388391 100 $a20080828d2006 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aSummary and evaluation of the quality of stormwater in Denver, Colorado, water years 1998-2001$b[electronic resource] /$fby Clifford R. Bossong ... [and others] ; prepared in cooperation with the Urban Drainage and Flood Control District 210 1$aReston, Va. :$cU.S. Dept. of the Interior, U.S. Geological Survey,$d2006. 215 $av, 90 pages $cdigital, PDF file 225 1 $aScientific investigations report ;$v2005-5150 300 $aTitle from PDF t.p. (viewed on Aug. 28, 2008). 606 $aWater quality$zColorado$zDenver 606 $aRunoff$zColorado$zDenver 615 0$aWater quality 615 0$aRunoff 701 $aBossong$b C. R$01384068 712 02$aUrban Drainage and Flood Control District (Colo.) 712 02$aGeological Survey (U.S.) 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910697455103321 996 $aSummary and evaluation of the quality of stormwater in Denver, Colorado, water years 1998-2001$93544722 997 $aUNINA LEADER 04853oam 22007214a 450 001 9910360252903321 005 20231027181408.0 010 $a9789463724913 010 $a9463724915$beBook 024 7 $a10.5117/9789463724913 035 $a(CKB)4100000009952576 035 $a(OAPEN)1006541 035 $a(OCoLC)1181851940 035 $a(MdBmJHUP)muse82596 035 $a(DE-B1597)542044 035 $a(DE-B1597)9789048544509 035 $a(OCoLC)1143823963 035 $a(MiAaPQ)EBC6637462 035 $a(Au-PeEL)EBL6637462 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35382 035 $a(PPN)270967524 035 $a(MiAaPQ)EBC30793574 035 $a(Au-PeEL)EBL30793574 035 $a(ScCtBLL)f852c3b0-1aeb-497f-a0e5-53e8db7ed31c 035 $a(Perlego)1458942 035 $a(oapen)doab35382 035 $a(EXLCZ)994100000009952576 100 $a20200723d2020 uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Aesthetics of Global Protest$eVisual Culture and Communication /$fedited by Aidan McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, and Umut Korkut 205 $a1st ed. 210 $aAmsterdam$cAmsterdam University Press$d2019 210 1$aBaltimore, Maryland :$cProject Muse,$d2020 210 4$dİ2020 215 $a1 online resource (300) 225 0 $aProtest and social movements 311 08$a9789048544509 311 08$a9048544505 320 $aIncludes bibliographical references and index. 327 $aIntroduction : the aesthetics of global protest : visual culture and communication / Aidan McGarry, Itir Erhart, Hande Eslen-Ziya, Olu Jenzen, and Umut Korkut -- Queer visual activism in South Africa / Tessa Lewin -- The use of visibility in contentious events in Northern Ireland / Katy Hayward and Milena Komarova -- Maybe, we will benefit from our neighbour's good fortune : an exhibition on collectivity, community, and dialogue in Turkey / Is??l Eg?rikavuk -- Political street art in social mobilization : a tale of two protests in Argentina / Holly Eva Ryan -- Archiving dissent : (im)material trajectories of political street art in Istanbul and Athens / Julia Tulke -- The introvert's protest : handwriting the constitution and the performance of politics / Interview with Morgan O'Hara by Aidan McGarry -- Photography and protest in Israel/Palestine : The Activestills Online Archive / Simon Faulkner -- Drones, cinema, and protest in Thailand / Noah Viernes -- Bearing witness to authoritarianism and commoning through video activism and political film-making after the Gezi protests / O?zge O?zdu?zen -- Music videos as protest communication: the Gezi Park protest on YouTube / Olu Jenzen, Itir Erhart, Hande Eslen-Ziya, Derya Gu?c?demir, Umut Korkut, and Aidan McGarry -- The activist chroniclers of Occupy Gezi : counterposing visibility to injustice / Dan Mercea and Helton Levy -- When Twitter got #woke : Black Lives Matter, DeRay McKesson, Twitter, and the appropriation of the aesthetics of protest / Farida Vis, Simon Faulkner, Safiya Umoja Noble, and Hannah Guy -- Conclusion : reflections on protest and political transformation since 1789 / Jim Aulich. 330 $aProtestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative. 410 0$aProtest and social movements. 606 $aAesthetics$xPolitical aspects 606 $aProtest movements 615 0$aAesthetics$xPolitical aspects. 615 0$aProtest movements. 676 $a303.484 700 $aMcGarry$b Aidan$4edt$0870671 702 $aKorkut$b Umut 702 $aJenzen$b Olu 702 $aEslen-Ziya$b Hande 702 $aErhart$b Itir 702 $aMcGarry$b Aidan 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910360252903321 996 $aThe Aesthetics of Global Protest$93561012 997 $aUNINA