LEADER 03719 am 22005293u 450 001 9910359555703321 005 20231110234100.0 010 $a90-485-3784-3 035 $a(CKB)4100000009763066 035 $a(OAPEN)1005810 035 $a(DE-B1597)537493 035 $a(OCoLC)1120125476 035 $a(DE-B1597)9789048537846 035 $a(MiAaPQ)EBC6637464 035 $a(Au-PeEL)EBL6637464 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26181 035 $a(EXLCZ)994100000009763066 100 $a20200406h20192019 fg 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Structures of the Film Experience by Jean-Pierre Meunier $eHistorical Assessments and Phenomenological Expansions /$fJulian Hanich, Daniel Fairfax 210 $aAmsterdam$cAmsterdam University Press$d2019 210 1$aAmsterdam : $cAmsterdam University Press, $d[2019] 210 4$dİ2019 215 $a1 online resource (361) 225 0 $aFilm Theory in Media History 327 $tFrontmatter -- $tTable of Contents -- $tIntroduction -- $t"Every Theory Needs a Reference to Lived Experience" : An Interview with Jean-Pierre Meunier -- $tIntroduction -- $tPart One: Introduction to the General Structures of Experience -- $tPart Two: The Film Experience -- $tGeneral Conclusion -- $tStages of an Encounter with Filmic Identification -- $tBetween Phenomenology and Psychoanalysis : Jean-Pierre Meunier's Theory of Identification in the Cinema -- $tThe Missing Link: Meunier on Imagination and Emotional Engagement -- $t'Me, Myself, and I': On the Uncanny in Home Movies -- $tRemembering Cinema: On the film-souvenir -- $tYou Talkin' to Me? On Filmic Identification in Video-Selfies -- $tIlluminating Reality : Cinematic Identification Revisited in the Eyes of Buddhist Philosophies -- $tWhose Identification? A Brief Meditation on the Relevance of Jean- Pierre Meunier's The Structures of the Film Experience to Contemporary Feminist Film Phenomenology -- $tJean-Pierre Meunier's Modalities of the "Filmic Attitude": Towards a Theory of Referentiality in Cinematic Discourse -- $tPhenomenology, Immediacy, and Mediation : On Derrida, Meunier, and Landgrebe -- $tCinema and Child's Play -- $tEngines of the Historical Imagination : Towards a Phenomenology of Cinema as Non-Art -- $tWhen Viewers Drift Off: A Brief Phenomenology of Cinematic Daydreaming -- $tList of Illustrations 330 $aFor the first time this volume makes Jean-Pierre Meunier's influential thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969. 410 0$aFilm Theory in Media History 606 $aFilm theory & criticism$2bicssc 606 $aPhilosophy: aesthetics$2bicssc 610 $a- film theory - fiction film - documentary film - home movie - film phenomenology. 615 7$aFilm theory & criticism 615 7$aPhilosophy: aesthetics 676 $a791.436 700 $aHanich$b Julian$4edt$01434068 702 $aFairfax$b Daniel, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aHanich$b Julian, $4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910359555703321 996 $aThe Structures of the Film Experience by Jean-Pierre Meunier$93585705 997 $aUNINA