LEADER 05223 am 22005293u 450 001 9910357819403321 005 20170919012350.0 010 $a3-8288-6357-4 035 $a(CKB)3710000000576961 035 $a(EBL)4355553 035 $a(MiAaPQ)EBC4355553 035 $a(ScCtBLL)c5fd0edf-431d-4d38-aa47-dcaed76449e2 035 $a(EXLCZ)993710000000576961 100 $a20160307h20162016 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBanksy $eurban art in a material world /$fUlrich Blanche? ; translated from German by Rebekah Jonas and Ulrich Blanche? 210 1$aMarburg :$cTectum,$d[2016] 210 4$d©2016 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 $a3-8288-3541-4 320 $aIncludes bibliographical references. 327 $aTable of Content; Thanks to; 1) Introduction; a) How Does Banksy Depict Consumerism?; b) How is the Term Consumer Culture Used in this Study?; c) Sources; 2) Terms and Definitions; a) Consumerism and Consumption; i) The Term Consumption; ii) The Concept of Consumerism; b) Cultural Critique, Critique of Authority andEnvironmental Criticism; c) Consumer Society; i) Narrowing Down »Consumer Society«; ii) Emergence of Consumer Societies; d) Consumption and Religion; e) Consumption in Art History; i) Marcel Duchamp; ii) Andy Warhol; iii) Jeff Koons; f) Graffiti, Street Art, and Urban Art 327 $ai) Graffitiii) The Term Street Art; iii) Definition of Street Art; (1) Street (and) Art; (2) »Illegal« versus »Self-authorized«; (3) Word versus Image; (4) The Viewer of Street Art; (5) Street Art Is Site-Specific; (6) The Performative Aspect of Street Art; (7) Street Art Is Ephemeral and Participatory; (8) Street Art and Advertising; (9) Quality Characteristics of Street Art; iv) Urban Art; 3) London at the Turn of the Millennium; a) The London Art Scene since 1980; b) Damien Hirst and Young British Artists; c) What makes a British artist in the 1990s a Young British Artist?; 4) Banksy 327 $aa) Street Art - The Rise of Banksyi) Why Did Street Art Increase around 2000?; ii) The Spectacularization of Art; iii) Barcode - »Barcode Leopard« (2000); iv) Money; (1) »Cash Point« (ca. 2001-2005); (2) »Di-Faced Tenners« (2005); v) Leftist Consumption; (1) »IKEA Punk« (2009); (2) »Destroy Capitalism« (2006); b) Painting - »Crude Oils« (since 2000); i) The Series and the Exhibition; (1) The Framing; (2) Rats; ii) Selected Artwork; (1) Toxic Waste Barrel - »Crude Oil« (2005); (2) Shopping Cart - »Show me the Monet« (2005); (3) The Tesco Supermarket Motif and the Shopping Bag 327 $ac) Installation - »The Village Pet Store and Charcoal Grill« (2008-09)i) Fast-food Consumption - »Nuggets« and »Sausages«; ii) Animals as a Raw Material Supplier - »Leopard«; iii) Children, Consumption and Cosmetics - »Rabbit«; iv) Media Consumption - »Primates«; 5) Banksy and Damien Hirst; a) »Keep it Spotless (Defaced Hirst)« (2007); b) Hirst's Spot Paintings; c) »Keep it Spotless (Defaced Hirst)« (2007) Part 2; d) The Location Reference - Street and Art; 6) Artistic strategies for dealing with Consumer Phenomena; a) A Consumer Paradise Illusion?; i) The Controlled »Shock« 327 $aii) Over-Identification and Ironyb) Banksy's Anti-Consumption, Political-Activist Caricature; i) Images of Images; ii) (Dis)placement and Staging; c) Brands not Products; d) Souvenirs; e) Advertising; e) (Im)material Things; 7) Appendix; a) Banksy's Pseudonym; b) Banksy's »Biography«; c) Banksy's Exhibitions; i) Banksy's Artistic Activities and Travels; ii) Banksy's Album Covers; d) Bibliography; i) Online Sources with an Author; ii) Online Sources without an Author; iii) Other Websites; iv) Printed Magazine or Newspaper Articles, Papers, Essays and Interviews 327 $av) Books and Exhibition Catalogs 330 $aBristol born Banksy is usually categorized as a Street Artist, although his art, in content and form, transcends a narrow understanding of this term. This publication primarily deals with Banksy as a contemporary Urban Artist and his relationship with consumer culture. It examines Banksy not only in light of his illicit work on the street, but also in regard to his gallery exhibitions. The study highlights representative works of his art, pieces which demonstrate his versatility, but also stand for different periods of his oeuvre. This book presents the first academic study of Banksy's art in English; with a history and discussion of the terms Graffiti, Street Art and Urban Art and a rich array of biographical information. It will be of interest to academics and the general public as well. 606 $aGraffiti artists$zGreat Britain 606 $aArt, Modern 608 $aElectronic books. 615 0$aGraffiti artists 615 0$aArt, Modern. 700 $aBlanche?$b Ulrich$0952354 702 $aJonas$b Rebekah 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910357819403321 996 $aBanksy$92152899 997 $aUNINA