LEADER 03241nam  22005295  450 
001 9910349546403321
005 20230810165202.0
010   $a3-030-24751-1
024 7 $a10.1007/978-3-030-24751-5
035   $a(CKB)4100000009184957
035   $a(MiAaPQ)EBC5892496
035   $a(DE-He213)978-3-030-24751-5
035   $a(EXLCZ)994100000009184957
100   $a20190905d2019      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aConceiving Virtuality: From Art To Technology /$fedited by Joaquim Braga
205   $a1st ed. 2019.
210  1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2019.
215   $a1 online resource (215 pages)
225 1 $aNumanities - Arts and Humanities in Progress,$x2510-4438 ;$v11
311   $a3-030-24750-3 
327   $aChapter 1. Virtuality Beyond Reproduction Ontological Remarks -- Chapter 2. Phenomenology and the Challenge of Virtuality -- Chapter 3. Personality, Dissociation and Organic-Psychic Latency in Pierre Janet?s Account of Hysterical Symptoms -- Chapter 4. Sonic Virtuality, Environment, and Presence -- Chapter 5. Imagination and Virtuality On Susanne Langer?s Theory of Artistic Forms -- Chapter 6. The Virtual as Precondition for Artistic Creation -- Chapter 7. The Virtuality of Cinema: Beyond the Documentary-Fiction Divide with Peter Watkins and Mark Rappaport -- Chapter 8. Digital Fabrication and its Meanings for Photography and Film -- Chapter 9. The Reality of the Virtual in Deleuze?s Transcendental Empiricism -- Chapter 10. The Scope of the Virtual in the Treatment of Melancholia -- Chapter 11. The End of the Virtual? A Hermeneutical Approach to Digitality -- Chapter 12. Utopia, Ideology, and Philosophy.
330   $aThis book provides new theoretical approaches to the subject of virtuality. All chapters reflect the importance of extending the analysis of the concept of ?the virtual? to areas of knowledge that, until today, have not been fully included in its philosophical foundations. The respective chapters share new insights on art, media, psychic systems and technology, while also presenting new ways of articulating the concept of the virtual with regard to the main premises of Western thought. Given its thematic scope, this book is intended not only for a philosophical audience, but also for all scientists who have turned to the humanities in search of answers to their questions.
410  0$aNumanities - Arts and Humanities in Progress,$x2510-4438 ;$v11
606   $aTechnology$xPhilosophy
606   $aArts
606   $aDigital media
606   $aPhilosophy of Technology
606   $aArts
606   $aDigital and New Media
615  0$aTechnology$xPhilosophy.
615  0$aArts.
615  0$aDigital media.
615 14$aPhilosophy of Technology.
615 24$aArts.
615 24$aDigital and New Media.
676   $a006.8
676   $a111
702   $aBraga$b Joaquim$4edt$4http://id.loc.gov/vocabulary/relators/edt
906   $aBOOK
912   $a9910349546403321
996   $aConceiving Virtuality: From Art To Technology$92021801
997   $aUNINA