LEADER 02580nam 2200685 450 001 9910824185003321 005 20200520144314.0 010 $a1-61168-778-0 035 $a(CKB)2670000000619355 035 $a(EBL)1882433 035 $a(SSID)ssj0001497276 035 $a(PQKBManifestationID)11945495 035 $a(PQKBTitleCode)TC0001497276 035 $a(PQKBWorkID)11494466 035 $a(PQKB)11262447 035 $a(MiAaPQ)EBC1882433 035 $a(OCoLC)910650496 035 $a(MdBmJHUP)muse42326 035 $a(Au-PeEL)EBL1882433 035 $a(CaPaEBR)ebr11065044 035 $a(CaONFJC)MIL791634 035 $a(OCoLC)919719633 035 $a(EXLCZ)992670000000619355 100 $a20150625h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAesthetic theology and its enemies $eJudaism in Christian painting, poetry, and politics /$fDavid Nirenberg 210 1$aWaltham, Massachusetts :$cBrandeis University Press,$d2015. 210 4$d©2015 215 $a1 online resource (xiv, 230 pages) 225 0 $aThe Mandel Lectures in the Humanities 300 $aDescription based upon print version of record. 311 $a1-61168-779-9 311 $a1-61168-777-2 320 $aIncludes bibliographical references and index. 327 $aTroubling transcendence -- Painting between Christianity and Judaism -- Every poet is a Jew -- Judaism as political concept. 330 $a"Established the way in which Christian cultures has been regarded as "threatened" by Judaism and describes how arts of representation legitimated themselves as Christian by defending themselves against this threat"--$cProvided by publisher. 410 0$aMandel lectures in the humanities. 606 $aChristianity and other religions$xRelations$xJudaism 606 $aJudaism$xRelations$xChristianity 606 $aJudaism in art 606 $aChristian art and symbolism 606 $aChristian literature$xHistory and criticism 615 0$aChristianity and other religions$xRelations$xJudaism. 615 0$aJudaism$xRelations$xChristianity. 615 0$aJudaism in art. 615 0$aChristian art and symbolism. 615 0$aChristian literature$xHistory and criticism. 676 $a700/.48296 700 $aNirenberg$b David$f1964-$0140650 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824185003321 996 $aAesthetic theology and its enemies$94000025 997 $aUNINA LEADER 03275nam 22006495 450 001 9910349539903321 005 20250609111804.0 010 $a9783030318895 010 $a3030318893 024 7 $a10.1007/978-3-030-31889-5 035 $a(CKB)4100000009606176 035 $a(MiAaPQ)EBC5963193 035 $a(DE-He213)978-3-030-31889-5 035 $a(Perlego)3491965 035 $a(MiAaPQ)EBC5963156 035 $a(EXLCZ)994100000009606176 100 $a20191018d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHeidegger and Future Presencing (The Black Pages) /$fby Spencer Golub 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (261 pages) 300 $aIncludes index. 311 08$a9783030318888 311 08$a3030318885 327 $a1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time's Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being). 330 $a"Golub's novel interpretative approach introduces philosophical thinking to the fields of literature, film, and the performative arts, and by that deepens and enriches the theoretical discussion taking place within these fields." -Dror Pimentel, Senior Lecturer, Bezalel Academy of Art and Design Jerusalem, Israel This book applies Heidegger's writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional "now" of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub's ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another. 606 $aPhilosophy of mind 606 $aSelf 606 $aExperimental films 606 $aPerforming arts 606 $aTheater 606 $aPhilosophy of the Self 606 $aExperimental Film 606 $aTheatre and Performance Arts 615 0$aPhilosophy of mind. 615 0$aSelf. 615 0$aExperimental films. 615 0$aPerforming arts. 615 0$aTheater. 615 14$aPhilosophy of the Self. 615 24$aExperimental Film. 615 24$aTheatre and Performance Arts. 676 $a193 676 $a792.01 700 $aGolub$b Spencer$4aut$4http://id.loc.gov/vocabulary/relators/aut$0974394 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910349539903321 996 $aHeidegger and Future Presencing (The Black Pages)$92218340 997 $aUNINA