LEADER 03611nam 22005535 450 001 9910522941403321 005 20240313103447.0 010 $a9783030748708$b(electronic bk.) 010 $z9783030748692 024 7 $a10.1007/978-3-030-74870-8 035 $a(MiAaPQ)EBC6840201 035 $a(Au-PeEL)EBL6840201 035 $a(CKB)20443419000041 035 $a(OCoLC)1291316701 035 $a(DE-He213)978-3-030-74870-8 035 $a(EXLCZ)9920443419000041 100 $a20220103d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIdentity and Indiscernibility in Quantum Mechanics /$fby Tomasz Bigaj 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (271 pages) 225 1 $aNew Directions in the Philosophy of Science,$x2947-6836 311 08$aPrint version: Bigaj, Tomasz Identity and Indiscernibility in Quantum Mechanics Cham : Springer International Publishing AG,c2022 9783030748692 320 $aIncludes bibliographical references and index. 327 $aChapter 1. Introduction -- Chapter 2. Indiscernibility of quantum particles: a road to orthodoxy -- Chapter 3. The source of the Symmetrization Postulate -- Chapter 4. Logic and metaphysics of discernibility -- Chapter 5. Qualitative individuation of same-type particles: beyond orthodoxy -- Chapter 6. The heterodox approach to absolute discernibility and entanglement -- Chapter 7. Two views on quantum individuation -- Chapter 8. The metaphysics of quantum objects. 330 $aThis book analyzes metaphysical consequences of the quantum theory of many particles with respect to the fundamental notions of identity, individuality and discernibility. The main focus is on the proper interpretation of the quantum formalism in relation to the role of permutation invariance and the adequate representation of the properties of individual subsystems. Two main approaches to the issue of the individuation of quantum particles are distinguished and thoroughly discussed. These approaches differ radically with respect to their metaphysical consequences - while one of them implies the complete indiscernibility of quantum particles of the same kind, the other one restores the possibility of discerning individual particles by their properties. We connect the problem of quantum individuation and discernibility with an analysis of the concept of quantum entanglement, and we also discuss identity over time and in counterfactual scenarios. Tomasz Bigaj is Professor of Philosophy at the University of Warsaw, Poland. His previous publications include the book Non-locality and Possible Worlds (2006) and numerous articles on various topics in philosophy of physics, philosophical logic and analytic metaphysics (Synthese, Erkenntnis, Foundations of Physics, Foundations of Science). 410 0$aNew Directions in the Philosophy of Science,$x2947-6836 606 $aPhysics$xPhilosophy 606 $aQuantum theory 606 $aPhilosophy of Physics 606 $aQuantum Physics 615 0$aPhysics$xPhilosophy. 615 0$aQuantum theory. 615 14$aPhilosophy of Physics. 615 24$aQuantum Physics. 676 $a530.12 676 $a530.12 700 $aBigaj$b Tomasz$0963863 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910522941403321 996 $aIdentity and Indiscernibility in Quantum Mechanics$92591603 997 $aUNINA LEADER 03619nam 22007455 450 001 9910349529803321 005 20230810164934.0 010 $a9783030216689 010 $a3030216683 024 7 $a10.1007/978-3-030-21668-9 035 $a(CKB)4100000009273718 035 $a(DE-He213)978-3-030-21668-9 035 $a(MiAaPQ)EBC5896943 035 $a(Perlego)3490908 035 $a(EXLCZ)994100000009273718 100 $a20190914d2019 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Changing Social Economy of Art $eAre the Arts Becoming Less Exclusive? /$fby Hans Abbing 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (V, 257 p.) 311 08$a9783030216672 311 08$a3030216675 327 $aChapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion.-Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Conclusion. 330 $aIs art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on. In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody. 606 $aEconomics 606 $aCulture 606 $aFinance, Public 606 $aCulture$xStudy and teaching 606 $aCultural property$xProtection 606 $aEntrepreneurship 606 $aNew business enterprises 606 $aEconomics 606 $aCultural Economics 606 $aPublic Economics 606 $aCultural Studies 606 $aCultural Resource Management 606 $aEntrepreneurship 615 0$aEconomics. 615 0$aCulture. 615 0$aFinance, Public. 615 0$aCulture$xStudy and teaching. 615 0$aCultural property$xProtection. 615 0$aEntrepreneurship. 615 0$aNew business enterprises. 615 14$aEconomics. 615 24$aCultural Economics. 615 24$aPublic Economics. 615 24$aCultural Studies. 615 24$aCultural Resource Management. 615 24$aEntrepreneurship. 676 $a330 676 $a701.03 700 $aAbbing$b Hans$4aut$4http://id.loc.gov/vocabulary/relators/aut$0800861 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910349529803321 996 $aThe Changing Social Economy of Art$92289750 997 $aUNINA