LEADER 03032 am 2200589 n 450 001 9910346884303321 005 20240125213450.0 010 $a88-5526-707-8 024 7 $a10.4000/books.ledizioni.11410 035 $a(CKB)4920000000101679 035 $a(FrMaCLE)OB-ledizioni-11410 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/40642 035 $a(PPN)264713125 035 $a(EXLCZ)994920000000101679 100 $a20220704j|||||||| ||| 0 101 0 $aspa 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAntología personal /$fAlicia Kozameh 210 $aMilano $cLedizioni$d2022 215 $a1 online resource (322 p.) 225 1 $aDi/Segni 311 $a88-6705-952-1 330 $aEsta Antología personal de la escritora argentina Alicia Kozameh, precedida por un Estudio preliminar de la catedrática María A. Semilla Durán, tiene un doble objetivo: el de iniciar al lector en el conocimiento de una obra literaria personalísima por una parte; el de guiarlo en su lectura e interpretación de la misma por otra. Los textos así seleccionados están organizados cronológicamente, y constituyen un corte transversal de la obra total, que deja ver cada uno de los estratos que la componen. El volumen se prestigia con una reflexión inédita de la autora sobre la indefensión de la persona ante la escritura autobiográfica. El estudio preliminar que introduce el volumen acompaña el viaje del lector a través de los textos, analizando las secuencias seleccionadas y leyéndolas desde una perspectiva global, atenta a la evolución de la escritura al hilo del tiempo. Para completar la mirada crítica, incluimos al final un instrumento pedagógico destinado a los estudiantes que quisieran trabajar sobre las obras de Alicia Kozameh, consistente en una serie de orientaciones válidas para la indagación de su escritura. 606 $aLiterature (General) 606 $astrumento pedagogico 606 $aanalisi dei testi 606 $apedagogical tool 606 $atext analysis 606 $areflexión sobre la indefensión de la persona ante la escritura autobiográfica 606 $ainstrumento pedagógico 606 $aanálisis de los textos 615 4$aLiterature (General) 615 4$astrumento pedagogico 615 4$aanalisi dei testi 615 4$apedagogical tool 615 4$atext analysis 615 4$areflexión sobre la indefensión de la persona ante la escritura autobiográfica 615 4$ainstrumento pedagógico 615 4$aanálisis de los textos 700 $aKozameh$b Alicia$01291228 701 $aKozameh$b Alicia$01291228 701 $aKozameh$b Sara Julia$01310099 701 $aSemilla Durán$b María A$01310100 701 $aSemilla Durán$b María Angélica$01310101 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910346884303321 996 $aAntología personal$93029763 997 $aUNINA LEADER 07845nam 22008175 450 001 9910578689003321 005 20240312141643.0 010 $a9783030987053 010 $a3030987051 024 7 $a10.1007/978-3-030-98705-3 035 $a(MiAaPQ)EBC7017520 035 $a(Au-PeEL)EBL7017520 035 $a(CKB)23842952800041 035 $aEBL7017520 035 $a(AU-PeEL)EBL7017520 035 $a(DE-He213)978-3-030-98705-3 035 $a(EXLCZ)9923842952800041 100 $a20220614d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIndigenous African Popular Music, Volume 2 $eSocial Crusades and the Future /$fedited by Abiodun Salawu, Israel A. Fadipe 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (474 pages) 225 1 $aPop Music, Culture and Identity,$x2634-6621 300 $aDescription based upon print version of record. 311 08$aPrint version: Salawu, Abiodun Indigenous African Popular Music, Volume 2 Cham : Springer International Publishing AG,c2022 9783030987046 320 $aIncludes bibliographical references and index. 327 $aPart I Indigenous African Popular Music, Democracy, Politics and Social Crusade -- 1 Extra-Mundane Communication in Ayinla Omowura's Music: Exploring Connections Between a Tool and an Agent -- 2 The Role of Politicians in Democratizing Musical Production in Northern Nigeria -- 3 Popular Music, Political Mobilisation and Grandstanding: An Analysis of Maskandi in Legitimisation of Jacob Zuma (2008-2018) -- 4 Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe -- 5 Indigenous African Popular Music, Democracy and Politics6 Music and Political Protests in Africa: Analysis of Selected Fela Anikulapo-Kuti's Songs in Nigeria -- 7 Singing Democracy and Politics in Post-Independence Zimbabwe: A Critical Discourse Analysis of Selfcensorship in Zimbabwean Indigenous Theological-Sungura Music -- 8 Indigenous African Artistes as Social Critics: A Study of Evangelist Bayo Adegboyega of Yoruba Extraction -- 9 State-Minded Praise Music Culture Through Electoral Nigeria -- 10 Beyond Mere Entertainment: Moral Reorientation in Ogundare Foyanmu's Ijala Song-Texts -- 11 Nigerian Indigenous Music as an Instrument of Social Crusade and Enlightenment: An Appraisal of Selected Albums of Sikiru Ayinde Barrister, Dauda Epo Akara and Odolaye Aremu -- Part II Indigenous African Popular Music and Environmental Health Communication -- 12 Yorùbá Indigenous Musical Jingles on COVID-19: A Content Appraisal.-13 Promotion of Food Sovereignty in Africa Through Yoruba's Indigenous Music -- 14 Mainstreaming Afro-hip-hop Music in Redressing the Spread of Infodemics on COVID-19 -- Part III Indigenous African Popular Music and Gender Empowerment -- 15 Why Not Call a Spade a Spade? Unpacking Paul Matavire's Gender Philosophy -- 16 The Communicativeness of Select Nigerian Afro-hip-hop Lyrics and Sociological Perception of Women -- 17 Content and Reception of Eswatini's Indigenous and Popular Music on Women Empowerment -- Part IV Indigenous African Popular Music, African Youths and African Future -- 18 Ngoma Songs as Tanzanian Youths' Third Space for Political Participation -- 19 The Future of the Indigenous African Popular Music -- 20 The Popular Cultural Practice of Hip-Hop Among The Indigenous !Xun and Khwe Youth of Platfontein, South Africa -- 21 Zimdancehall Music as Rules ofSexual Engagement -- Part V Indigenous African Popular Music, Advanced Broadcast Technologies and the Digital Media -- 22 Tradi-Modern Musical Genres Amidst Neo-Colonial Western Digital Recording Towards Development in Benue State -- 23 The Evolution of the Roles of Producers in the Zimbabwe Recording Industry.-24 Topic: Indigenous African Music Economics: Survival Strategies in the Face of Web Technologies -- 25 Commodification of Music in the Digital Age: Locating Namibia's Oviritje Popular Music Genre in the Capitalist Music Economy -- 26 The Role of Sound Archiving of Indigenous Popular Music in the Conflict Zones of North-Eastern Nigeria. 330 $aThis volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies. Abiodun Salawu is Professor of Journalism, Communication and Media Studies, and Director of Indigenous Language Media in Africa, at the North-West University, South Africa. His major areas of research include indigenous language media, development communication, critical studies and new media. Israel A. Fadipe is postdoctoral fellow in Indigenous Language Media in Africa at the Faculty of Humanities, North-West University, South Africa. He specialises in communication, cultural and gender studies, and has published articles and chapters in both local and international journals. 410 0$aPop Music, Culture and Identity,$x2634-6621 606 $aPopular music 606 $aEthnology$zAfrica 606 $aCulture 606 $aAfrican languages 606 $aIntercultural communication 606 $aEmigration and immigration 606 $aAfrica$xHistory 606 $aPopular Music 606 $aAfrican Culture 606 $aAfrican Languages 606 $aIntercultural Communication 606 $aDiaspora Studies 606 $aAfrican History 615 0$aPopular music. 615 0$aEthnology 615 0$aCulture. 615 0$aAfrican languages. 615 0$aIntercultural communication. 615 0$aEmigration and immigration. 615 0$aAfrica$xHistory. 615 14$aPopular Music. 615 24$aAfrican Culture. 615 24$aAfrican Languages. 615 24$aIntercultural Communication. 615 24$aDiaspora Studies. 615 24$aAfrican History. 676 $a782.42 676 $a781.63096 702 $aSalawu$b Abiodun 702 $aFadipe$b Israel A. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910578689003321 996 $aIndigenous African Popular Music, Volume 2$94328056 997 $aUNINA