LEADER 02234nam  2200397z- 450 
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035   $a(CKB)4920000000095541
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/53777
035   $a(oapen)doab53777
035   $a(EXLCZ)994920000000095541
100   $a20202102d2018      |y         0
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aModern sculpture and the question of status
210   $cPublicacions i Edicions de la Universitat de Barcelona$d2018
215   $a1 online resource (688 p.)
225 1 $aCol·lecció Singularitats
311 08$a84-9168-033-0 
330   $aOne of the most fascinating yet least explored questions in art history is that of status in art. The analysis of how artists and artworks achieve recognition or not, both during their lifetimes and beyond, leads us into sociology of art, a field that, regarding modern sculpture, has received little attention internationally, and is largely untouched in terms of the Catalan and Spanish contexts. This objective of this volume is to contribute to our understanding of the mechanisms of status and success in nineteenth- and twentieth-century sculpture, especially in Spain and Catalonia. The authors, experts from Europe and America, address the topic both from theoretical viewpoints, and considering the impact on the construction of artists' careers. They also explore the possibilities of sculpture as an object on the path to artistic recognition, and the particularities of status in specific historical circumstances, such as under Franco's dictatorship, in which art is not always put at the service of an ideology.
606   $aHistory of art$2bicssc
610   $aCatalunya
610   $aEscultura contempora?nia
610   $aEscultura moderna
610   $aEspanya
610   $aLlibres electro?nics
615  7$aHistory of art
700   $aIrene Gras Valero$4auth$01312928
702   $aCristina Rodríguez-Samaniego$4auth
906   $aBOOK
912   $a9910346804703321
996   $aModern sculpture and the question of status$93033083
997   $aUNINA