LEADER 02149nam 2200361z- 450 001 9910346804703321 005 20231214133356.0 035 $a(CKB)4920000000095541 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/53777 035 $a(EXLCZ)994920000000095541 100 $a20202102d2018 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModern sculpture and the question of status 210 $cPublicacions i Edicions de la Universitat de Barcelona$d2018 215 $a1 electronic resource (688 p.) 225 1 $aCol·lecció Singularitats 311 $a84-9168-033-0 330 $aOne of the most fascinating yet least explored questions in art history is that of status in art. The analysis of how artists and artworks achieve recognition or not, both during their lifetimes and beyond, leads us into sociology of art, a field that, regarding modern sculpture, has received little attention internationally, and is largely untouched in terms of the Catalan and Spanish contexts. This objective of this volume is to contribute to our understanding of the mechanisms of status and success in nineteenth- and twentieth-century sculpture, especially in Spain and Catalonia. The authors, experts from Europe and America, address the topic both from theoretical viewpoints, and considering the impact on the construction of artists? careers. They also explore the possibilities of sculpture as an object on the path to artistic recognition, and the particularities of status in specific historical circumstances, such as under Franco?s dictatorship, in which art is not always put at the service of an ideology. 610 $aEscultura moderna 610 $aEspanya 610 $aLlibres electrònics 610 $aEscultura contemporània 610 $aCatalunya 700 $aIrene Gras Valero$4auth$01312928 702 $aCristina Rodríguez-Samaniego$4auth 906 $aBOOK 912 $a9910346804703321 996 $aModern sculpture and the question of status$93033083 997 $aUNINA