LEADER 01755nam 2200433z- 450 001 9910346767403321 005 20210212 010 $a1000059807 035 $a(CKB)4920000000100849 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/60054 035 $a(oapen)doab60054 035 $a(EXLCZ)994920000000100849 100 $a20202102d2017 |y 0 101 0 $ager 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aStochastische Modellierung der Bildung von Nanopartikeln in reaktiven Stro?mungen 210 $cKIT Scientific Publishing$d2017 215 $a1 online resource (XVIII, 149 p. p.) 311 08$a3-7315-0585-1 330 $aSoot formation in a laminar and a turbulent diffusion flame as well as the formation of iron oxide nanoparticles in an iron pentacarbonyl doped near stoichiometric H?/O?/Ar-premixed flame have been investigated numerically. The particular modus operandi of the simulated test cases is described. In the case of the turbulent flame the impact of the turbulent closure of the single particle source terms on particle size distribution is shown. 606 $aBiotechnology$2bicssc 610 $aCFD 610 $aNanoparticles 610 $aNanopartikel 610 $areactive flows 610 $areaktive Stro?mungen 610 $astochastic modelling 610 $astochastische Modellierung 610 $aTurbulence 610 $aTurbulenz 615 7$aBiotechnology 700 $aSchmitt$b Manuel$4auth$01296610 906 $aBOOK 912 $a9910346767403321 996 $aStochastische Modellierung der Bildung von Nanopartikeln in reaktiven Strömungen$93024129 997 $aUNINA LEADER 04718nam 22007455 450 001 9910760255403321 005 20251009082231.0 010 $a9783031429750 010 $a3031429753 024 7 $a10.1007/978-3-031-42975-0 035 $a(PPN)27359494X 035 $a(MiAaPQ)EBC30878252 035 $a(Au-PeEL)EBL30878252 035 $a(CKB)28806318500041 035 $a(OCoLC)1409704541 035 $a(DE-He213)978-3-031-42975-0 035 $a(EXLCZ)9928806318500041 100 $a20231109d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aClassical Music and Opera During and After the COVID-19 Pandemic $eEmpirical Research on the Digital Transformation of Socio-cultural Institutions and Aesthetic Forms /$fedited by Steffen Lepa, Ruth Müller-Lindenberg, Hauke Egermann 205 $a1st ed. 2023. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2023. 215 $a1 online resource (157 pages) 225 1 $aMusic Business Research,$x2522-0837 311 08$aPrint version: Lepa, Steffen Classical Music and Opera During and after the COVID-19 Pandemic Cham : Springer,c2023 9783031429743 327 $aChapter 1 Quo Vadis Classical Music? Remarks on the Post-Pandemic Condition -- Chapter 2 Opera (Training (Research)) During Lockdown -- Chapter 3 The pandemic as a peephole into the ongoing digital transformation of opera. Insights from an expert interview study with the management of Berlin?s three opera houses -- Chapter 4 The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication -- Chapter 5 Streaming Opera: Compromise Solution or Future-Oriented Reception Form? -- Chapter 6 Digital Concert Experience ? An online research project on live streaming during the pandemic -- Chapter 7 Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams -- Chapter 8 Combining two different worlds. A post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz. 330 $aThe global COVID-19 pandemic, the resulting lockdown imposed in many countries, as well as related safety measures taken by governments and authorities, have posed significant challenges to classical music culture. However, they may also have had a stimulating effect on music festivals and opera houses? streaming offerings. This book brings together experts from the fields of musicology and music management to share their current empirical research findings on the pandemic-evoked digital transformation of the classical music scene, addressing either the institutional or the reception perspective. Furthermore, it documents discussions with opera dramaturgs and artistic directors, as well as music managers and event producers in the classical field, to share their practical lockdown experiences and current strategies in dealing with the digital transformation of opera. In this way, the volume combines the perspective of academic researchers with that of practitioners in the field. This book is particularly useful for students and researchers in music and media management, as well as musicology. It is also intended to help practitioners from concert houses and opera management, such as dramaturges, artistic directors, marketing and communication directors. 410 0$aMusic Business Research,$x2522-0837 606 $aService industries 606 $aCommunication and traffic 606 $aDigital media 606 $aTechnological innovations 606 $aEconomics 606 $aCulture 606 $aEntertainment Industry 606 $aMedia Industries 606 $aDigital and New Media 606 $aInnovation and Technology Management 606 $aCultural Economics 615 0$aService industries. 615 0$aCommunication and traffic. 615 0$aDigital media. 615 0$aTechnological innovations. 615 0$aEconomics. 615 0$aCulture. 615 14$aEntertainment Industry. 615 24$aMedia Industries. 615 24$aDigital and New Media. 615 24$aInnovation and Technology Management. 615 24$aCultural Economics. 676 $a780.9052 700 $aLepa$b Steffen$01438650 701 $aMüller-Lindenberg$b Ruth$01438651 701 $aEgermann$b Hauke$01438652 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910760255403321 996 $aClassical Music and Opera During and after the COVID-19 Pandemic$93600300 997 $aUNINA