LEADER 03530 am 22006013u 450 001 9910346725103321 005 20220601021642.0 010 $a1-78320-144-4 010 $a1-78320-145-2 035 $a(CKB)3710000000083011 035 $a(EBL)3014889 035 $a(Au-PeEL)EBL3014889 035 $a(CaPaEBR)ebr10825874 035 $a(OCoLC)899046087 035 $a(ScCtBLL)b57059d0-412e-49e3-a0f5-21e6f11770a5 035 $a(MiAaPQ)EBC3014889 035 $a(EXLCZ)993710000000083011 100 $a20140114d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe cultural set up of comedy $eaffective politics in the United States post 9/11 /$fJulie Webber ; Stephanie Sarlos, cover designer ; Michael Eckhardt, copy-editor ; Melanie Marshall and Tom Newman, production managers 210 1$aBristol, England ;$aChicago, Illinois :$cIntellect,$d2013. 210 4$dİ2013 215 $a1 online resource (230 p.) 225 0 $aCultural Studies Toward Transformative Curriculum and Pedagogy,$x2049-4025 300 $aDescription based upon print version of record. 311 $a1-78320-031-6 320 $aIncludes bibliographical references and index. 327 $aHalf Title -- Title Page -- Copyright -- Contents -- Acknowledgments -- Chapter 1: The Cultural Set Up of Comedy -- Chapter 2: Re-Signifying the F-word: Comedy as Political Resistanceor Entrenchment? or Entrenchment? -- Chapter 3: Breaking the "Crass Ceiling": Women as Comedians -- Bridesmaids -- Chapter 4: The Tone of Political Comedy in The Daily Show and The Colbert Report -- "Rape-nuts" -- Chapter 5: Globalizing Political Humor -- Parazit -- Al Bernameg -- Conclusion: After Comedy -- Bibliography -- Index. 330 $aHow do various forms of comedy - including stand up, satire and film and television - transform contemporary invocations of nationalism and citizenship in youth cultures? And how are attitudes about gender, race and sexuality transformed through comedic performances on social media? The Cultural Set Up of Comedy seeks to answer these questions by examining comedic performances by Chris Rock and Louis C.K., news parodies like The Daily Show with Jon Stewart and The Colbert Report, the role of satire in the Arab Spring and women's groundbreaking comedic performances in television and the film Bridesmaids. Breaking with the usual cultural studies debates over how to conceptualize youth, the book instead focuses on the comedic cultural and political scripts that frame them through affective strategies post-9/11. 410 0$aCultural studies toward transformative curriculum and pedagogy. 606 $aComedy$xPolitical aspects$zUnited States 606 $aYouth$xPolitical activity$zUnited States$xHistory$y21st century 606 $aSeptember 11 Terrorist Attacks, 2001$xInfluence 615 0$aComedy$xPolitical aspects 615 0$aYouth$xPolitical activity$xHistory 615 0$aSeptember 11 Terrorist Attacks, 2001$xInfluence. 676 $a809.917 700 $aWebber$b Julie$0913915 701 $aSarlos$b Stephanie$0854791 701 $aEckhardt$b Michael$0864340 701 $aMarshall$b Melanie$0901786 701 $aNewman$b Tom$0901787 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910346725103321 996 $aThe cultural set up of comedy$92047669 997 $aUNINA