LEADER 03818nam 2200445z- 450 001 9910346697303321 005 20231214133428.0 035 $a(CKB)4920000000094721 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/44224 035 $a(EXLCZ)994920000000094721 100 $a20202102d2019 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCreative spaces $eurban culture and marginality in Latin America /$fedited by Niall H.D. Geraghty and Adriana Laura Massidda 210 $cUniversity of London Press$d2019 215 $a1 electronic resource (280 p.) 311 $a1-908857-48-X 311 $a1-908857-69-2 327 $tIntroduction /$rNiall H.D. Geraghty and Adriana Laura Massidda --$gI.$tWhere are the margins?$g1.$tThe politics of the in-between: the negotiation of urban space in Juan Rulfo's photographs of Mexico City /$rLucy O'Sullivan ;$g2.$tThe interstitial spaces of urban sprawl: unpacking the marginal suburban geography of Santiago de Chile /$rChristian Silva ;$g3.$tCynicism and the denial of marginality in contemporary Chile: Mito?mana (Jose? Luis Sepu?lveda and Carolina Adriazola, 2009) /$rPaul Merchant --$gII.$tThe struggle for the streets.$g4.$tCommunity action, the informal city and popular politics in Cartagena (Colombia) during the National Front, 1958-74 /$rOrlando Deavila Pertuz ;$g5.$tOn 'real revolution' and 'killing the lion': challenges for creative marginality in Brazilian labor struggles /$rLucy McMahon ;$g6.$tUrban policies, innovation and inclusion: Comuna 8 of the city of Buenos Aires /$rAnabella Roitman --$gIII.$tMarginal art as spatial praxis.$g7.$tExhibitions in a 'divided' city: socio-spatial inequality and the display of contemporary art in Rio de Janerio /$rSimone Kalkman ;$g8.$tThe spatiality of desire in Marti?n Osterheld's La multitud (2012) and Luis Ortega's Dromo?manos (2012) /$rNiall H.D. Geraghty and Adriana Laura Massidda ;$g9. Afterward$tCreative spaces: uninhabiting the urban /$rGeoffrey Kantaris. 330 8 $aCreative Spaces: Urban Culture and Marginality is an interdisciplinary exploration of the different ways in which marginal urban spaces have become privileged locations for creativity in Latin America. The essays within the collection reassess dominant theoretical notions of ?marginality? in the region and argue that, in contemporary society, it invariably allows for (if not leads to) the production of the new. While Latin American cities have, since their foundation, always included marginal spaces (due, for example, to the segregation of indigenous groups), the massive expansion of informal housing constructed on occupied land in the second half of the twentieth century have brought them into the collective imaginary like never before. Originally viewed as spaces of deprivation, violence, and dangerous alterity, the urban margins were later romanticized as spaces of opportunity and popular empowerment. Instead, this volume analyses the production of new art forms, political organizations and subjectivities emerging from the urban margins in Latin America, neither condemning nor idealizing the effects they produce. 517 $aCreative Spaces 606 $aCities and towns$zLatin America 606 $aSociology, Urban$zLatin America 610 $aliminality 610 $amarginality 610 $adiaspora 610 $amigration 610 $aurbanity 610 $apopulation 615 0$aCities and towns 615 0$aSociology, Urban 702 $aGeraghty$b Niall H.D.$f1984- 702 $aMassidda$b Adriana Laura$f1981- 906 $aBOOK 912 $a9910346697303321 996 $aCreative Spaces$93361824 997 $aUNINA