LEADER 02259nam 22004573a 450 001 9910346683903321 005 20250203235434.0 010 $a9783039210336 010 $a3039210335 024 8 $a10.3390/books978-3-03921-033-6 035 $a(CKB)4920000000094830 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/58108 035 $a(ScCtBLL)4390502e-385b-4327-aad8-a8fb3fc40707 035 $a(OCoLC)1157349478 035 $a(oapen)doab58108 035 $a(EXLCZ)994920000000094830 100 $a20250203i20192019 uu 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aReligion and Art : $eRethinking Aesthetic and Auratic Experiences in 'Post-Secular' Times /$fDavor D?alto 210 $cMDPI - Multidisciplinary Digital Publishing Institute$d2019 210 1$aBasel, Switzerland :$cMDPI,$d2019. 215 $a1 electronic resource (102 p.) 311 08$a9783039210329 311 08$a3039210327 330 $aHow can we think of the "aura" of (sacred) contexts and (sacred) works? How to think of individual and collective (esthetic/religious) experiences? What to make of the manipulative dimension of (religious and esthetic) "auratic" experiences? Is the work of art still capable of mediating the experience of the "sacred," and under what conditions? What is the significance of the "eschatological" dimension of both art and religion (the sense of "ending")? Can theology offer a way to reaffirm the creative capacities of the human being as something that characterizes the very condition of being human? This Special Issue aspires to contribute to the growing literature on contemporary art and religion, and to explore the new ways of thinking of art and the sacred (in their esthetic, ideological, and institutional dimensions) in the context of contemporary culture. 606 $aArt and religion 606 $aPostsecularism 615 0$aArt and religion. 615 0$aPostsecularism. 676 $a201/.67 700 $aD?alto$b Davor$01786599 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910346683903321 996 $aReligion and Art$94318465 997 $aUNINA