LEADER 01737 am  22003493- 450 
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024 7 $a10.14324/111.9781787354654
035   $a(CKB)4100000009681697
035   $a(OAPEN)1005775
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/89230
035   $a(EXLCZ)994100000009681697
100   $a20191030|||    xx  uy            0
101 0 $aeng
135   $auuuuu---auuuu
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 04$aThe Contemporary Medieval in Practice
210   $aLondon$cUCL Press$d2019
215   $a1 online resource (120) 
311   $a1-78735-465-2 
330   $aContemporary arts, both practice and methods, offer medieval scholars innovative ways to examine, explore, and reframe the past. Medievalists offer contemporary studies insights into cultural works of the past that have been made or reworked in the present. Creative-critical writing invites the adaptation of scholarly style using forms such as the dialogue, short essay, and the poem; these are, the authors argue, appropriate ways to explore innovative pathways from the contemporary to the medieval, and vice versa. Speculative and non-traditional, The Contemporary Medieval in Practice adapts the conventional scholarly essay to reflect its cross-disciplinary, creative subject.
606   $aMedieval history$2bicssc
610   $aEuropean history: medieval period, middle ages
615  7$aMedieval history
700   $aLees$b Clare A$4aut$0898041
702   $aOvering$b Gillian R$4aut
906   $aBOOK
912   $a9910346052803321
996   $aThe Contemporary Medieval in Practice$92006381
997   $aUNINA