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010   $a9781787354661
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024 7 $a10.14324/111.9781787354654
035   $a(CKB)4100000009681697
035   $a(OAPEN)1005775
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/89230
035   $a(ScCtBLL)d60debd6-f53c-4d50-8cec-a0f1de53d273
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100   $a20250204i20192020  uu 
101 0 $aeng
135   $auuuuu---auuuu
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 04$aThe Contemporary Medieval in Practice$fGillian Overing, Clare A. Lees
210   $cUniversity College London$d2019
210  1$aLondon :$cUCL Press,$d2019.
215   $a1 online resource (120)
311 08$a9781787354654 
311 08$a1787354652 
311 08$a9781787354650 
311 08$a9781787354678 
330   $aContemporary arts, both practice and methods, offer medieval scholars innovative ways to examine, explore, and reframe the past. Medievalists offer contemporary studies insights into cultural works of the past that have been made or reworked in the present. Creative-critical writing invites the adaptation of scholarly style using forms such as the dialogue, short essay, and the poem; these are, the authors argue, appropriate ways to explore innovative pathways from the contemporary to the medieval, and vice versa. Speculative and non-traditional, The Contemporary Medieval in Practice adapts the conventional scholarly essay to reflect its cross-disciplinary, creative subject.
606   $aMedieval history$2bicssc
610   $aEuropean history: medieval period, middle ages
615  7$aMedieval history
700   $aOvering$b Gillian R.$f1952-$01547632
702   $aLees$b Clare A.
801  0$bScCtBLL
801  1$bScCtBLL
906   $aBOOK
912   $a9910346052803321
996   $aThe Contemporary Medieval in Practice$94329799
997   $aUNINA