LEADER 03868nam 22006495 450 001 9910903792003321 005 20241102115741.0 010 $a9783031690631 010 $a303169063X 024 7 $a10.1007/978-3-031-69063-1 035 $a(CKB)36527924200041 035 $a(DE-He213)978-3-031-69063-1 035 $a(MiAaPQ)EBC31750345 035 $a(Au-PeEL)EBL31750345 035 $a(OCoLC)1468044188 035 $a(EXLCZ)9936527924200041 100 $a20241102d2024 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCentaur Art $eThe Future of Art in the Age of Generative AI /$fby Remo Pareschi 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2024. 215 $a1 online resource (XVI, 88 p. 38 illus., 33 illus. in color.) 311 08$a9783031690624 311 08$a3031690621 327 $aPreface -- Acknowledgements -- 1. The Rise of Centauric Systems -- 2. Art and Artificial Intelligence between Past, Present and Future -- 3. AI for Games and Art -- 4. The Art of Turning Prompts into Art -- 5. Art as an Open System -- 6. From ?On-life? to ?On-art? and ?Beyond-life?. 330 $aGenerative AI is transforming the landscape of numerous industries, and the creative fields are no exception. As the figurative arts become a focal point in the ongoing debate, this book explores hybrid and centauric intelligence?an integration of human and artificial intelligence. Through parallel and complementary directions, it investigates the general concept of this hybrid intelligence and its specific application in the artistic realm, highlighting the unprecedented creativity and innovation that can emerge from this synergy. Additionally, it addresses the economic tensions and legal disputes, particularly around copyright, that arise from the impact of new technologies in the creative sector. The result is a comprehensive overview of the hybridization paradigm by analyzing the operational and creative methods of artists and creators who have embraced generative AI. The author examines the implications of the recent developments, offering readers an understanding of how AI can support human creativity rather than replace it. Thus, a compelling vision of the future unfolds, one in which artists and AI collaborate, pushing the boundaries of what is artistically achievable. Whether you are a seasoned professional looking to incorporate AI into your creative process or a curious reader intrigued by the convergence of art and technology, the book will provide valuable insights and inspire you to explore the fascinating intersection of human creativity and artificial intelligence and the future it heralds for the art world. 606 $aArtificial intelligence 606 $aDigital humanities 606 $aNatural language processing (Computer science) 606 $aImage processing 606 $aArtificial Intelligence 606 $aIntelligence Augmentation 606 $aDigital Humanities 606 $aNatural Language Processing (NLP) 606 $aImage Processing 615 0$aArtificial intelligence. 615 0$aDigital humanities. 615 0$aNatural language processing (Computer science). 615 0$aImage processing. 615 14$aArtificial Intelligence. 615 24$aIntelligence Augmentation. 615 24$aDigital Humanities. 615 24$aNatural Language Processing (NLP). 615 24$aImage Processing. 676 $a006.3 700 $aPareschi$b Remo$4aut$4http://id.loc.gov/vocabulary/relators/aut$01221179 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910903792003321 996 $aCentaur Art$94296032 997 $aUNINA LEADER 02895nam 22004333a 450 001 9910345967603321 005 20250203232518.0 024 8 $a10.6093 / 978-88-6887-048-5 035 $a(CKB)4920000000094040 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/46626 035 $a(ScCtBLL)03871a91-bb4a-4f09-9ae5-be7cf7a93ac0 035 $a(OCoLC)1139834291 035 $a(Perlego)2344465 035 $a(oapen)doab46626 035 $a(EXLCZ)994920000000094040 100 $a20250203i20182019 uu 101 0 $aita 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aEnvironmental and territorial modelling for planning and design$fCarmela Gargiulo, Antonio Leone 210 $cFedOA - Federico II University Press$d2018 210 1$a[s.l.] :$cFedOA - Federico II University Press,$d2018. 215 $a1 electronic resource (704 p.) 225 1 $aSmart City, Urban Planning for a Sustainable Future 311 08$a9788868870485 311 08$a8868870487 330 $aDal 5 all'8 settembre 2018 l'Università della Tuscia e il Dipartimento di Scienze Agrarie e Forestali - DAFNE hanno ospitato la decima edizione del Congresso Internazionale INPUT. INPUT è un gruppo informale di ricercatori accademici italiani che operano in molti settori connessi all'uso dell'informatica nella pianificazione. Questa decima edizione del Congresso ha perseguito obiettivi multipli con un carattere olistico, senza confini, per affrontare la complessità degli attuali sistemi socio-ecologici seguendo un approccio sistemico finalizzato alla risoluzione dei problemi. In particolare, la conferenza è stata orientata a presentare lo stato dell'arte degli approcci di modellazione impiegati nella pianificazione urbana e territoriale in contesti nazionali e internazionali. Inoltre, la conferenza ha ospitato un seminario di Geodesign, di Carl Steinitz (Harvard Graduate School of Design) e Hrishi Ballal (via skype), Tess Canfield e Michele Campagna. Infine, l'ultimo giorno della conferenza, si è svolto l'hackfest di QGIS, in cui oltre 20 sviluppatori di software open source provenienti da tutta Italia hanno discusso le ultime novità e gli aggiornamenti dalla rete QGIS. L'acronimo "INPUT" è nato come "INformatics per Urban and Regional Planning". Nella transizione alla grafica, involontariamente, il primo termine è stato trasformato in "Innovazione", con un bell'esempio di serendipità, in cui un piccolo errore si trasforma in qualcosa di nuovo e intrigante. 606 $aEcology 615 0$aEcology. 700 $aGargiulo$b Carmela$033137 702 $aLeone$b Antonio 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910345967603321 996 $aEnvironmental and territorial modelling for planning and design$94317989 997 $aUNINA