LEADER 03926nam 2200457z- 450 001 9910345963503321 005 20231214133249.0 035 $a(CKB)4920000000094079 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/47141 035 $a(EXLCZ)994920000000094079 100 $a20202102d2018 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aThe Evolution of Rhythm Cognition: Timing in Music and Speech 210 $cFrontiers Media SA$d2018 215 $a1 electronic resource (391 p.) 225 1 $aFrontiers Research Topics 311 $a2-88945-500-9 330 $aHuman speech and music share a number of similarities and differences. One of the closest similarities is their temporal nature as both (i) develop over time, (ii) form sequences of temporal intervals, possibly differing in duration and acoustical marking by different spectral properties, which are perceived as a rhythm, and (iii) generate metrical expectations. Human brains are particularly efficient in perceiving, producing, and processing fine rhythmic information in music and speech. However a number of critical questions remain to be answered: Where does this human sensitivity for rhythm arise? How did rhythm cognition develop in human evolution? How did environmental rhythms affect the evolution of brain rhythms? Which rhythm-specific neural circuits are shared between speech and music, or even with other domains? Evolutionary processes? long time scales often prevent direct observation: understanding the psychology of rhythm and its evolution requires a close-fitting integration of different perspectives. First, empirical observations of music and speech in the field are contrasted and generate testable hypotheses. Experiments exploring linguistic and musical rhythm are performed across sensory modalities, ages, and animal species to address questions about domain-specificity, development, and an evolutionary path of rhythm. Finally, experimental insights are integrated via synthetic modeling, generating testable predictions about brain oscillations underlying rhythm cognition and its evolution. Our understanding of the cognitive, neurobiological, and evolutionary bases of rhythm is rapidly increasing. However, researchers in different fields often work on parallel, potentially converging strands with little mutual awareness. This research topic builds a bridge across several disciplines, focusing on the cognitive neuroscience of rhythm as an evolutionary process. It includes contributions encompassing, although not limited to: (1) developmental and comparative studies of rhythm (e.g. critical acquisition periods, innateness); (2) evidence of rhythmic behavior in other species, both spontaneous and in controlled experiments; (3) comparisons of rhythm processing in music and speech (e.g. behavioral experiments, systems neuroscience perspectives on music-speech networks); (4) evidence on rhythm processing across modalities and domains; (5) studies on rhythm in interaction and context (social, affective, etc.); (6) mathematical and computational (e.g. connectionist, symbolic) models of ?rhythmicity? as an evolved behavior. 517 $aEvolution of Rhythm Cognition 610 $amusic 610 $aevolution of speech and language 610 $aspeech 610 $ameter 610 $ainterval timing 610 $aevolution of cognition 610 $abeat perception 610 $arhythm 610 $atime perception 610 $asynchrony 610 $amovement 700 $aHenkjan Honing$4auth$01324441 702 $aAndrea Ravignani$4auth 702 $aSonja A. Kotz$4auth 906 $aBOOK 912 $a9910345963503321 996 $aThe Evolution of Rhythm Cognition: Timing in Music and Speech$93036167 997 $aUNINA