LEADER 01401nam--2200445---450- 001 990002903390203316 005 20090202103824.0 010 $a88-324-5989-2 035 $a000290339 035 $aUSA01000290339 035 $a(ALEPH)000290339USA01 035 $a000290339 100 $a20070416d2006----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aCasi ed esercizi di analisi di bilancio$fMaria Silvia Avi$ga cura di Bruno Frizzera 210 $aMilano$cIl sole 24 ore$d2006 215 $a431 p.$d30 cm 225 2 $aGuida pratica fiscale 300 $aIn cop.: Per professionisti esami universitari, esami di stato, concorsi pubblici. 300 0 $aIn cop. : Anno 2006 410 0$12001$aGuida pratica fiscale 454 1$12001 461 1$1001-------$12001 606 0 $aBilancio$xanalisi 676 $a657.33 700 1$aAVI,$bMaria Silvia$0115950 702 1$aFRIZZERA,$bBruno 801 0$aIT$bsalbc$gISBD 912 $a990002903390203316 951 $a657.33 AVI 1 (IRA 25 530)$b15040 EC$cIRA 25$d00129883 959 $aBK 969 $aECO 979 $aCAPORASO$b90$c20070416$lUSA01$h0948 979 $aPATRY$b90$c20070427$lUSA01$h1536 979 $aRSIAV2$b90$c20090202$lUSA01$h1038 979 $aCHIARA$b90$c20110519$lUSA01$h1422 996 $aCasi ed esercizi di analisi di bilancio$9989276 997 $aUNISA LEADER 03691oam 2200877 450 001 9910793651303321 005 20230307163905.0 010 $a9781618119766$belectronic book 010 $a1-61811-976-1 024 7 $a10.1515/9781618119766 035 $a(CKB)4100000008416116 035 $a(MiAaPQ)EBC5786842 035 $a(DE-B1597)541085 035 $a(OCoLC)1081338545 035 $a(DE-B1597)9781618119766 035 $a(EXLCZ)994100000008416116 100 $a20200229h20182018 uy 0 101 0 $aeng 135 $aurcn#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAvant-Garde Art in Ukraine, 1910-1930 $eContested Memory /$fMyroslav Shkandrij 210 1$aBrooklyn, MA :$cAcademic Studies Press,$d2018. 210 4$dİ2018 215 $a1 online resource (202 pages) 311 08$aPrint version: 9781618119759 1-61811-975-3 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tAcknowledgments --$tContents --$tList of Illustrations --$tIntroduction: The "Historic" Avant-Garde of 1910-30 --$tForging the European Connection --$tPolitics and Painting --$tArtists in the Maelstrom: Five Case Studies --$tThe Avant-Garde in Today's Cultural Memory --$tBibliography --$tIndex 330 $aMany of the greatest avant-garde artists of the early twentieth century were Ukrainians or came from Ukraine. Whether living in Paris, St. Petersburg or Kyiv, they made major contributions to painting, sculpture, theatre, and film-making. Because their connection to Ukraine has seldom been explored, English-language readers are often unaware that figures such as Archipenko, Burliuk, Malevich, and Exter were inspired both by their country of origin and their links to compatriots. This book traces the avant-garde development from its pre-war years in Paris to the end of the 1920's in Kyiv. It includes chapters on the political dilemmas faced by this generation, the contribution of Jewish artists, and the work of several emblematic figures: Mykhailo Boichuk, David Burliuk, Kazimir Malevich, Vadym Meller, Ivan Kavaleridze, and Dziga Vertov. 606 $aArt, Ukrainian$y20th century 606 $aAvant-garde (Aesthetics)$zUkraine$xHistory$y20th century 610 $a20th century art. 610 $aAvant Garde. 610 $aBoichuk School. 610 $aBoichuk. 610 $aBurliuk. 610 $aDavid Burliuk. 610 $aDziga Vertov. 610 $aFrench avant garde. 610 $aFrench avant-garde. 610 $aIvan Kavaleridze. 610 $aJewish artists. 610 $aJewish. 610 $aJews. 610 $aKazimir Malevich. 610 $aMalevich. 610 $aSoviet Union Art. 610 $aSoviet Union. 610 $aUkraine. 610 $aUkrainian art. 610 $aUkrainian culture. 610 $aUkrainian history. 610 $aUkrainian politics. 610 $aUkrainian. 610 $aVadym Meller. 610 $aVertov. 610 $aart. 610 $aavant-garde. 610 $acultural memory. 610 $aculture. 610 $ahistory. 610 $apolitics. 610 $arevolution. 610 $atwentieth century art. 610 $atwentieth-century art. 615 0$aArt, Ukrainian 615 0$aAvant-garde (Aesthetics)$xHistory 676 $a700.947709041 700 $aShkandrij$b Myroslav$4aut$4http://id.loc.gov/vocabulary/relators/aut$01100632 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910793651303321 996 $aAvant-Garde Art in Ukraine, 1910-1930$93853099 997 $aUNINA LEADER 05915nam 2200745I 450 001 9910342950203321 005 20231103105613.0 010 $a9780472901098 010 $a0472901095 010 $a9780472125272 010 $a0472125273 024 7 $a10.3998/mpub.9697041 035 $a(CKB)4100000007934470 035 $a(MiAaPQ)EBC5742550 035 $a(OCoLC)1077773750 035 $a(MiU)10.3998/mpub.9697041 035 $a(MdBmJHUP)muse72121 035 $a(MiAaPQ)EBC6532638 035 $a(Au-PeEL)EBL6532638 035 $a(MiAaPQ)EBC6716485 035 $a(Au-PeEL)EBL6716485 035 $a(ScCtBLL)039eec09-7a9e-4de3-86d6-8b048a2ff473 035 $a(ODN)ODN0009828960 035 $a(EXLCZ)994100000007934470 100 $a20181205h20192019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$a#identity $ehashtagging race, gender, sexuality, and nation /$fAbigail De Kosnik and Keith P. Feldman, editors 210 1$aAnn Arbor, Michigan :$cUniversity of Michigan Press,$d[2019] 210 4$dİ2019 215 $a1 online resource (377 pages) 300 $aIncludes index. 311 08$a9780472054152 311 08$a0472054155 311 08$a9780472074150 311 08$a0472074156 320 $aIncludes bibliographical references. 327 $aIntroduction: The Hashtags We've Been Forced to Remember / Abigail De Kosnik and Keith P. Feldman -- 1. Is Twitter a Stage?: Theories of Social Media Platforms as Performance Spaces / Abigail De Kosnik -- Part I: Black Twitter Futures. 2. #Onfleek: Authorship, Interpellation, and the Black Femme Prowess of Black Twitter / Malika Imhotep -- 3. "You Ok Sis?": Black Vernacular, Community Formation, and the Innate Tensions of the Hashtag / Paige Johnson -- 4. #Sandrabland's Mystery: a Transmedia Story of Police Brutality / Aaminah Norris and Nalya Rodriguez -- 5. Creating and Imagining Black Futures Through Afrofuturism / Grace Gipson -- 6. Ferguson Blues: a Conversation With Rev. Osagyefo Sekou -- Part II: Mediated Intersections. 7. Confused Cats and Postfeminist Performance / Lyndsey Ogle -- 8. #Whyistayed: Virtual Survivor-Centered Spaces for Transformation and Abolishing Partner Violence / Julia Havard -- 9. #Gentrification, Cultural Erasure, and the (Im)Possibilities of Digital Queer Gestures / Jose Ramo?n Liza?rraga and Arturo Cortez -- 10. Hashtag Television: On-Screen Branding, Second-Screen Viewing, and Emerging Modes of Television Audience Interaction / Renee Pastel -- Part III: Disavowals. 11. Hashtag Rhetoric: #alllivesmatter and the Production of Post-Racial Affect / Kyle Booten -- 12. #Cancelcolbert: Popular Outrage, Divo Citizenship, and Digital Political Performativity / Abigail De Kosnik -- 13. #Nohomo: Homophobic Twitter Hashtags, Straight Masculinity, and Networks of Queer Disavowal / Bonnie Ruberg -- Part IV: Twitter International. 14. "Is Twitter For Celebrities Only?": A Qualitative Study of Twitter Use in India / Neha Kumar -- 15. Reterritorializing Twitter: African Moments, 2010-2015 / Reginold A. Royston and Krystal Strong -- 16. #Ifafricawasabar: Participation on Twitter across African Borders /Naveena Karusala, Trevor Perrier, and Neha Kumar -- 17. Beyond Hashtags: Black Twitter and Building Solidarity across Borders / Kimberly McNair -- Part V: Notes From the Color of New Media -- 18. The Color of New Media Enters Trumplandia; 19. The Color of New Media Responds To UC Berkeley's "Free Speech Week" 330 $a"Since its launch in 2006, Twitter has served as a major platform for political performance, social justice activism, and large-scale public debates over race, ethnicity, gender, sexuality, and nationality. It has empowered minoritarian groups to organize protests, articulate often-underrepresented perspectives, and form community. It has also spread hashtags that have been used to bully and silence women, people of color, and LGBTQ people. #identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world. Hailing from diverse scholarly fields, all contributors are affiliated with The Color of New Media, a scholarly collective based at the University of California, Berkeley. The Color of New Media explores the intersections of new media studies, critical race theory, gender and women's studies, and postcolonial studies. The essays in #identity consider topics such as the social justice movements organized through #BlackLivesMatter, #Ferguson, and #SayHerName; the controversies around #WhyIStayed and #CancelColbert; Twitter use in India and Africa; the integration of hashtags such as #nohomo and #onfleek that have become part of everyday online vernacular; and other ways in which Twitter has been used by, for, and against women, people of color, LGBTQ, and Global South communities. Collectively, the essays in this volume offer a critically interdisciplinary view of how and why social media has been at the heart of U.S. and global political discourse for over a decade." 517 3 $aIdentity :$ehashtagging race, gender, sexuality and nation 517 3 $aHashtag identity 606 $aHashtags (Metadata) 606 $aRace 606 $aGender identity 606 $aNational characteristics 615 0$aHashtags (Metadata) 615 0$aRace. 615 0$aGender identity. 615 0$aNational characteristics. 676 $a302.30285 686 $aCOM000000$aCOM060000$aSOC052000$2bisacsh 700 $aDe Kosnik$b Abigail$01831047 702 $aFeldman$b Keith P. 702 $aDe Kosnik$b Abigail 712 02$aMichigan Publishing (University of Michigan), 801 0$bEYM 801 1$bEYM 801 2$bEYM 906 $aBOOK 912 $a9910342950203321 996 $aIdentity$94402905 997 $aUNINA