LEADER 02202cas--2200529---450- 001 990001012660203316 005 20131105111841.0 011 $a1152-8737 035 $a0101266 035 $aUSA010101266 035 $a(ALEPH)000101266USA01 035 $a0101266 100 $a20020304a----9999km-y0itay0103----ba 101 $afre 102 $aFR 110 $aaha-------- 200 1 $aO de conduite$erevue de l'union française du film pour l'enfance et la jeunesse, uffej 210 $aParis$cUFFEJ 215 $av.$cill.$d30 cm 300 $aComincia nel [1991?] 300 $aDescrizione basata su: N.50 (juin 2003) 304 $aTit. della cop. 326 $aTrimestrale 606 0 $aFilm per la gioventù$xPeriodici 676 $a791.4361 801 0$aIT$bsalbc$gISBD 912 $a990001012660203316 958 $aArea Umanistica$bFondo$cN.50 (2003)-N.77(2011).$l2003; 959 $aSE 979 $aPATTY$b90$c20020304$lUSA01$h1458 979 $aPATTY$b90$c20020318$lUSA01$h1728 979 $c20020403$lUSA01$h1742 979 $aANNAPIA$b90$c20030703$lUSA01$h1036 979 $aPATRY$b90$c20040406$lUSA01$h1710 979 $aPATRY$b90$c20080102$lUSA01$h1218 979 $aVITTORIANA$b90$c20080116$lUSA01$h1210 979 $aPATRY$b90$c20081014$lUSA01$h1139 979 $aVITTORIANA$b90$c20110531$lUSA01$h1059 979 $aMUSELLA$b90$c20130214$lUSA01$h1252 979 $aMUSELLA$b90$c20130214$lUSA01$h1254 979 $aVITTORIANA$b90$c20131105$lUSA01$h1118 996 $aO de conduite$9974747 997 $aUNISA Z30 2$lUSA50$LAdministrative$mISSUE$1UMA$AUMA$3Per VII 38$5133612-10$820030703$a2003$b2003$c50$f09$FNON Prestabile$hN.50 (2003)$i20030628$j20030728$k20030703 Z30 2$lUSA50$LAdministrative$mISSUE$1UMA$AUMA$3Per VII 38$5133612-20$820030703$a2003$b2003$c51$f09$FNON Prestabile$hN.51 (2003)$i20030928$j20031028$k20031105 Z30 2$lUSA50$LAdministrative$mISSUE$1UMA$AUMA$3Per VII 38$5133612-30$820030703$a2003$b2003$c49$f09$FNON Prestabile$hN.49 (2003)$i20030328$j20030427 Z30 2$lUSA50$LAdministrative$mISSUE$1UMA$AUMA$3Per VII 38$5133612-40$820031105$a2003$b2003$c52$f09$FNON Prestabile$hN.52 (2003)$i20031228$j20040127 LEADER 00943nam0-2200289 --450 001 9910685898103321 005 20230428095345.0 010 $a978-88-8087-764-6 020 $aIT$b2019-8408 100 $a20230428d2019----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $a<>rapporti tra mafia e impresa$emodelli di analisi economico-gestionale, qualificazione giuridica e strumenti di contrasto$fGiovanni Melillo, Giuseppe Furciniti, Enrico Contieri 210 $aRoma$cLaurus Robuffo$d2019 215 $a386 p.$d24 cm 676 $a364.1060945$v23$zita 700 1$aMelillo,$bGiovanni$0767788 701 1$aContieri,$bEnrico$0224547 701 1$aFurciniti,$bGiuseppe$0545780 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910685898103321 952 $aXII F 818$b2019/1126$fFGBC 959 $aFGBC 996 $aRapporti tra mafia e impresa$93090217 997 $aUNINA LEADER 04967 am 22004813u 450 001 9910342254903321 005 20200623170635.0 010 $a1-78374-758-7 035 $a(CKB)4100000009444113 035 $a(MiAaPQ)EBC5909950 035 $a(FrMaCLE)OB-obp-9686 035 $a(PPN)244247781 035 $a(EXLCZ)994100000009444113 100 $a20191026d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEssays on Paula Rego $esmile when you think about hell /$fMaria Manuel Lisboa 210 1$aCambridge, England :$cOpen Book Publishers,$d[2019] 210 4$d©2019 215 $a1 online resource (512 pages) $cillustrations 311 $a1-78374-756-0 311 $a1-78374-757-9 320 $aIncludes bibliographical references and index. 327 $aIntro; Contents; Acknowledgments; A Note on Images; Prologue: A Patriot for Me; Pre-Figuring the Motherland; The Things that Define Us; From Practice to Theory; 1. Past History and Deaths Foretold: A Map of Memory; Ideal Homes; A Home is Not a Home Without a Pet; A Dog's Life; 2. (He)Art History or a Death in the Family: The Late 80s; Families and Other Animals; So Sorry For Your Loss; 3. The Sins of the Fathers: Mother and Land Revisited in the 1990s; Burning Books; A Picture Is Worth a Thousand Words; All at Sea; 4. An Interesting Condition: The Abortion Pastels; Christmas by Any Other Name 327 $aInfallible FallaciesLife, Death and Russian Roulette; Look at Me Enjoying Myself; The Image as Problem Child; Watching Him Watching Her: Everything Depends on the Eye of the Beholder; A Target of Indifference; Child Brides; The Mother's Dilemma; The Counter-Purification of Categories; The Wages of Sin; 5. Brave New Worlds: The Birthing of Nations in First Mass in Brazil; Unexpected Visitors; Little Strangers; Goodbye and Thanks for All the Fish; 6. I Am Coming to Your Kingdom, Prince Horrendous: Scary Stories for Baby, Perfect Stranger and Me; It's Fantastic; Prince? Frog? Or Worse? 327 $aSweet Dreams, Scary Nightmares: Fairy Tales and Nursery RhymesWhy Are You Glaring at Me?; In Theory Anyone Can Be a Fairy; Freud & Daughters: A Family Concern; Revolution in the Nursery; Women Telling Tales; Stay by my Cradle till Morning is Nigh: The Nursery Rhymes; What's It All About?; Black Sheep, Strange Creatures and Dangerous Rogues; One Elizabeth, Two Marys and Assorted Royals; Beautiful Princesses, Evil Stepmothers and Wicked Witches: Who is Dead Now?; Women Against the Canon: Who is Cannon Fodder Now?; Bad Wolves, Beastly Beasts and Bluebeard: They Had it Coming, M'Lud 327 $aSize Does Matter: Angry Jane, Gothic BerthaDearest Satan: The Lady with a Cloven Hoof; Lady, May I Kiss Your Hand? Ine?s de Castro; 7. Paula and the Madonna: Who's That Girl?; (Un)Like a Virgin; Just a Girl; Where's God Gone?; Is He Dead or Just Resting?; His Mother's Little Boy; A Mother's Work Is Never Done; Making His Mother Cry; Where Is She Going Now?; 8. Epilogue Let Me Count the Ways I Love You; Appendix AA Dama Pe? de Cabra (The Lady with a Cloven Hoof); First Canticle; Second Canticle; Third Canticle; Appendix B'Fascinac?a?o' ('Enchantment'); Works Cited; List of Illustrations 330 $a"In these powerful and stylishly written essays, Maria Manuel Lisboa dissects the work of Paula Rego, the Portuguese-born artist considered one of the greatest artists of modern times. Focusing primarily on Rego's work since the 1980s, Lisboa explores the complex relationships between violence and nurturing, power and impotence, politics and the family that run through Rego's art.Taking a historicist approach to the evolution of the artist's work, Lisboa embeds the works within Rego's personal history as well as Portugal's (and indeed other nations') stories, and reveals the interrelationship between political significance and the raw emotion that lies at the heart of Rego's uncompromising iconographic style. Fundamental to Lisboa's analysis is an understanding that apparent opposites - male and female, sacred and profane, aggression and submissiveness - often co-exist in Rego's work in a way that is both disturbing and destabilising.This collection of essays brings together both unpublished and previously published work to make a significant contribution to scholarship about Paula Rego. It will also be of interest to scholars and students of contemporary painting, Portuguese and British feminist art, and the political and ideological aspects of the visual arts."--Provided by vendor. 606 $aFeminism in art 615 0$aFeminism in art. 676 $a759.69 700 $aLisboa$b Maria Manuel$0801196 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bCaOLU 906 $aBOOK 912 $a9910342254903321 996 $aEssays on Paula Rego$92022709 997 $aUNINA