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100   $a20131123h20132013  uy         0
101 0 $aeng
135   $aurnn#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aStoryplaying $eagency and narrative in video games /$fSebastian Domsch
205   $a1st ed.
210  1$aBerlin :$cDe Gruyter,$d[2013]
210  4$dİ2013
215   $a1 online resource (196 p.)
225 0 $aNarrating Futures ;$vVolume 4
300   $aDescription based upon print version of record.
311 0 $a3-11-027216-4 
327   $tFront matter --$tContent --$t1 Introduction: What is Storyplaying? --$t2 Video Games and Narrative --$t3 Non-Unilinear Gameplay in Video Games --$t4 Non-Unilinear Narrative in Video Games --$t5 Choice and Narrative in Video Games --$t6 Narrative's Contrast Agent: Moral Choices --$t7 The Future of Storyplaying --$tWorks Cited --$tIndex
330   $aIncontestably, Future Narratives are most conspicuous in video games: they combine narrative with the major element of all games: agency. The persons who perceive these narratives are not simply readers or spectators but active agents with a range of choices at their disposal that will influence the very narrative they are experiencing: they are players. The narratives thus created are realizations of the multiple possibilities contained in the present of any given gameplay situation. Surveying the latest trends in the field, the volume discusses the complex relationship of narrative and game
606   $aActing games
606   $aRole playing
606   $aVideo games
610   $aComputer Games.
610   $aNarration.
610   $aNarrative.
610   $aVideo Games.
615  0$aActing games.
615  0$aRole playing.
615  0$aVideo games.
676   $a794.8
676   $a794.8
700   $aDomsch$b Sebastian$0869388
702   $aBode$b Christoph
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910341841803321
996   $aStoryplaying$91941000
997   $aUNINA