LEADER 02045nam a2200397 i 4500 001 991003419239707536 005 20021217150847.0 008 970314s1986 it a b 000 0 ita d 020 $a8837103611 (v.1) 020 $a883710362x (v.2) 035 $ab11805067-39ule_inst 035 $aLE00300074$9ExL 040 $aDip.to Biologia$beng 082 0 $a628 111 2 $aCorso di aggiornamento per tecnici di igiene ambientale$d<1985 ;$cModena>$0435509 245 10$aAmbiente, protezione e risanamento :$batti del 2? corso di aggiornamento per tecnici di igiene ambientale, unità sanitaria locale n. 16, Modena, 1985 /$ca cura di Adriano Zavatti 260 3 $aBologna :$bPitagora,$cc1986 300 $a2 v. :$bill. ;$c25 cm 500 $aIncludes bibliographies 505 1 $gVol.1.:Le$tacque. - xii, 926 p. 505 1 $gVol.2.:L'$tatmosfera, i rifiuti, la prevenzione. - viii, 733 p. 650 4$aEnvironmental engineering$xCongresses 650 4$aEnvironmental protection$xCongresses 650 4$aPollution$x Environmental aspects 650 4$aSanitary engineering$xCongresses 700 1 $aZavatti, Adriano 710 2 $aUnità Sanitaria Locale 907 $a.b11805067$b02-04-14$c18-12-02 912 $a991003419239707536 945 $aLE003 628 ZAV01.01 V.I (1986)$cV. 1$g1$i2003000020809$lle003$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i1205320x$z18-12-02 945 $aLE003 628 ZAV01.01 V.II (1986)$cV. 2$g1$i2003000020816$lle003$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i12053211$z18-12-02 945 $aLE003 RON 628 ZAV01.01 V.I (1986) [Fondo Ronzini: dislocato c/o il Laboratorio di Chimica organica]$cV. 1$g1$lle003$og$pE0.00$q-$rn$s- $t0$u0$v0$w0$x0$y.i15554624$z18-11-13 945 $aLE003 RON 628 ZAV01.01 V.II (1986) [Fondo Ronzini: dislocato c/o il Laboratorio di Chimica organica]$cV. 2$g1$lle003$og$pE0.00$q-$rn$s- $t0$u0$v0$w0$x0$y.i15554648$z18-11-13 996 $aAmbiente, protezione e risanamento$9907385 997 $aUNISALENTO 998 $ale003$b01-01-97$cm$da $e-$fita$git $h0$i2 LEADER 03177 am 2200505 n 450 001 9910340850803321 005 20190612 010 $a2-7535-6866-9 024 7 $a10.4000/books.pur.127380 035 $a(CKB)4100000009276973 035 $a(FrMaCLE)OB-pur-127380 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/57366 035 $a(PPN)267961243 035 $a(EXLCZ)994100000009276973 100 $a20190912j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aLa puissance du Midi $eDrapiers et draperies de Colbert à la Révolution /$fJean-Michel Minovez 210 $aRennes $cPresses universitaires de Rennes$d2019 215 $a1 online resource (306 p.) 311 $a2-7535-1803-3 330 $aLa croissance économique de la France méridionale est mal connue et généralement sous-évaluée pour l?époque moderne. On considère souvent son développement industriel comme inférieur à celui du Nord. La difficile approche statistique, la méconnaissance de nombreux secteurs de production, l?ignorance même de la majorité des territoires de production, l?absence de connaissance fine des produits et de leurs marchés expliquent en grande partie ce regard négatif. En choisissant de s?appuyer sur le premier secteur industriel qu?est le textile, prenant pour exemple la branche lainière, cet ouvrage s?efforce de combler les lacunes ; il démontre que le Midi est une région à fort dynamisme industriel à l?époque moderne. La puissance du Midi se mesure à une croissance deux fois plus forte au XVIIIe siècle que dans les provinces du Nord et à une connexion aux marchés mondiaux. Les étoffes fines vivent leur âge d?or du fait de l?extraordinaire poussée de leur commerce, presque exclusivement international : Europe sous domination turque, Barbarie, Proche et Moyen- Orient et même Inde et Chine. De leur côté, les draperies connaissent une véritable explosion de la production ; destinées d?abord à satisfaire le marché intérieur en pleine croissance, une part significative gagne aussi les marchés de l?Espagne et des colonies américaines, ainsi que ceux de la péninsule italienne et de l?Europe germanique. Dans le dernier tiers du XVIIIe siècle, l?industrie lainière du Midi stagne, malgré des tentatives de réorientations des fabrications et du commerce. Ce livre en mesure les effets et propose des interprétations nouvelles à ce déclin. 606 $aHistory 606 $ahistoire industrielle 606 $aindustrie manufacturière 606 $adraperie 606 $aMidi 610 $ahistoire industrielle 610 $aMidi 610 $aindustrie manufacturière 610 $adraperie 615 4$aHistory 615 4$ahistoire industrielle 615 4$aindustrie manufacturière 615 4$adraperie 615 4$aMidi 700 $aMinovez$b Jean-Michel$0253505 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910340850803321 996 $aLa puissance du Midi$93018665 997 $aUNINA LEADER 04220oam 22007934a 450 001 9910156220703321 005 20221208231856.0 010 $a1-4798-3069-0 024 7 $a10.18574/9781479830695 035 $a(CKB)3710000000985176 035 $a(MiAaPQ)EBC4500703 035 $a(DE-B1597)547117 035 $a(DE-B1597)9781479830695 035 $a(OCoLC)967268687 035 $a(MdBmJHUP)muse86907 035 $a(EXLCZ)993710000000985176 100 $a20161123d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFree Speech Beyond Words$eThe Surprising Reach of the First Amendment /$fMark V. Tushnet, Alan K. Chen, and Joseph Blocher 210 1$aNew York$cNew York University Press$d2017 210 3$aBaltimore, Md. :$cProject MUSE,$d2021 210 4$d©2017 215 $a1 online resource (200 pages) 311 $a1-4798-8028-0 320 $aIncludes bibliographical references and index. 327 $tGoing further: additional problems and concluding thoughts 327 $tNonsense and the freedom of speech: what meaning means for the First Amendment 327 $tArt and the First Amendment 327 $tInstrumental music and the First Amendment 330 0 $a"The Supreme Court has unanimously held that Jackson Pollock's paintings, Arnold Scho?enberg's music, and Lewis Carroll's poem "Jabberwocky" are "unquestionably shielded" by the First Amendment. Nonrepresentational art, instrumental music, and nonsense: all receive constitutional coverage under an amendment protecting "the freedom of speech," even though none involves what we typically think of as speech--the use of words to convey meaning. As a legal matter, the Court's conclusion is clearly correct, but its premises are murky, and they raise difficult questions about the possibilities and limitations of law and expression. Nonrepresentational art, instrumental music, and nonsense do not employ language in any traditional sense, and sometimes do not even involve the transmission of articulable ideas. How, then, can they be treated as "speech" for constitutional purposes? What does the difficulty of that question suggest for First Amendment law and theory? And can law resolve such inquiries without relying on aesthetics, ethics, and philosophy? Comprehensive and compelling, this book represents a sustained effort to account, constitutionally, for these modes of "speech." While it is firmly centered in debates about First Amendment issues, it addresses them in a novel way, using subject matter that is uniquely well suited to the task, and whose constitutional salience has been under-explored. Drawing on existing legal doctrine, aesthetics, and analytical philosophy, three celebrated law scholars show us how and why speech beyond words should be fundamental to our understanding of the First Amendment."--Publisher's website. 606 $aFreedom of speech$2fast$3(OCoLC)fst00934044 606 $aRechtsprechung$2gnd 606 $aKomik$2gnd 606 $aAbstrakte Kunst$2gnd 606 $aMusik$2gnd 606 $aRedefreiheit$2gnd 606 $aVerfassung$2gnd 606 $aLaw$xIntellectual Property$xCopyright 606 $aLaw$xConstitutional 606 $aFreedom of speech$zUnited States 606 $aFreedom of speech$xCross-cultural studies 607 $aUnited States$2fast 607 $aUSA$2gnd 608 $aCross-cultural studies 615 7$aFreedom of speech. 615 7$aRechtsprechung. 615 7$aKomik. 615 7$aAbstrakte Kunst. 615 7$aMusik. 615 7$aRedefreiheit. 615 7$aVerfassung. 615 7$aLaw$xIntellectual Property$xCopyright. 615 7$aLaw$xConstitutional. 615 7$aFreedom of speech 615 7$aFreedom of speech$xCross-cultural studies. 676 $a332.44/3 700 $aTushnet$b Mark$f1945-$4aut$0262598 702 $aBlocher$b Joseph$fca. 20./21. 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