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010   $a3-030-02892-5
024 7 $a10.1007/978-3-030-02892-3
035   $a(CKB)4100000007279052
035   $a(MiAaPQ)EBC5625927
035   $a(DE-He213)978-3-030-02892-3
035   $a(PPN)232965757
035   $a(EXLCZ)994100000007279052
100   $a20181224d2019      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aDesigning Digital Musical Instruments Using Probatio $eA Physical Prototyping Toolkit  /$fby Filipe Calegario
205   $a1st ed. 2019.
210  1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2019.
215   $a1 online resource (158 pages)
225 1 $aComputational Synthesis and Creative Systems,$x2509-6575
311   $a3-030-02891-7 
327   $aIntroduction -- Challenges in Designing Digital Musical Instruments (DMIs) -- Design Process -- State of the Art -- Early Exploration -- Proposition -- Evaluation of Probatio 0.1 -- Evaluation of Probatio 0.2 -- Conclusion.
330   $aThe author presents Probatio, a toolkit for building functional DMI (digital musical instruments) prototypes, artifacts in which gestural control and sound production are physically decoupled but digitally mapped. He uses the concept of instrumental inheritance, the application of gestural and/or structural components of existing instruments to generate ideas for new instruments. To support analysis and combination, he then leverages a traditional design method, the morphological chart, in which existing artifacts are split into parts, presented in a visual form and then recombined to produce new ideas. And finally he integrates the concept and the method in a concrete object, a physical prototyping toolkit for building functional DMI prototypes: Probatio. The author's evaluation of this modular system shows it reduces the time required to develop functional prototypes. The book is useful for researchers, practitioners, and graduate students in the areas of musical creativity and human-computer interaction, in particular those engaged in generating, communicating, and testing ideas in complex design spaces.
410  0$aComputational Synthesis and Creative Systems,$x2509-6575
606   $aArtificial intelligence
606   $aUser interfaces (Computer systems)
606   $aMusic
606   $aApplication software
606   $aArt$xStudy and teaching
606   $aGraphic design
606   $aArtificial Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/I21000
606   $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067
606   $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000
606   $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036
606   $aCreativity and Arts Education$3https://scigraph.springernature.com/ontologies/product-market-codes/O11000
606   $aInteraction Design$3https://scigraph.springernature.com/ontologies/product-market-codes/K19030
615  0$aArtificial intelligence.
615  0$aUser interfaces (Computer systems)
615  0$aMusic.
615  0$aApplication software.
615  0$aArt$xStudy and teaching.
615  0$aGraphic design.
615 14$aArtificial Intelligence.
615 24$aUser Interfaces and Human Computer Interaction.
615 24$aMusic.
615 24$aComputer Appl. in Arts and Humanities.
615 24$aCreativity and Arts Education.
615 24$aInteraction Design.
676   $a789.9
700   $aCalegario$b Filipe$4aut$4http://id.loc.gov/vocabulary/relators/aut$01058197
906   $aBOOK
912   $a9910337851003321
996   $aDesigning Digital Musical Instruments Using Probatio$92497796
997   $aUNINA