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010   $a3-030-04966-3
024 7 $a10.1007/978-3-030-04966-9
035   $a(CKB)4100000007746820
035   $a(MiAaPQ)EBC5721665
035   $a(DE-He213)978-3-030-04966-9
035   $a(EXLCZ)994100000007746820
100   $a20190301d2019      u|         0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aDialogue Writing for Dubbing $eAn Insider's Perspective /$fby Giselle Spiteri Miggiani
205   $a1st ed. 2019.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019.
215   $a1 online resource (282 pages)
311   $a3-030-04965-5 
327   $aPart I: The Dialogue Writing Practice: A descriptive approach -- Chapter 1: Dialogue writing set in context -- Chapter 2: Bridging disciplines: analogies and applicable devices -- Part II: Strategies and Know-how: A practical approach -- Chapter 3: Dialogue Writing Itinerary -- Chapter 4: Dubbing Deliverables -- Chapter 5: Script components -- Chapter 6: Standards and practices -- Part III: Black Box Revealed: An analytical approach -- Chapter 7: Applied strategies.
330   $aThis book analyses an important phase in the interlingual dubbing process of audiovisual productions: the elaboration of target language scripts for the recording studios. Written by a practitioner in the industry who is also an academic and trainer, it provides practical know-how and guidelines while adopting a scholarly, structural and methodical approach. Supported by an exemplified, analytical and theoretical framework, it is non-language specific and discusses strategies and tricks of the trade. Divided into three parts, the book provides a descriptive, practical and analytical approach to dubbing and dialogue writing. The author analyses scripts drawn from her own professional practice, including initial drafts that illustrate the various transformations of a text throughout the rewriting process. She also provides a ?backstage? perspective, from first-hand experience in recording sessions that provided first-hand knowledge of text manipulation, studio jargon, and the dubbing post production process. This publication will provide a valuable resource for novice dubbing translators and dialogue writers, while offering practitioner insights to scholars and researchers in the field of Audiovisual Translation, Film and Media Studies. .
606   $aTranslating and interpreting
606   $aMotion pictures
606   $aMotion picture industry
606   $aTelevision broadcasting
606   $aCommunication
606   $aPopular Culture
606   $aLanguage Translation
606   $aAudio-Visual Culture
606   $aFilm and Television Industry
606   $aMedia and Communication
606   $aPopular Culture
615  0$aTranslating and interpreting.
615  0$aMotion pictures.
615  0$aMotion picture industry.
615  0$aTelevision broadcasting.
615  0$aCommunication.
615  0$aPopular Culture.
615 14$aLanguage Translation.
615 24$aAudio-Visual Culture.
615 24$aFilm and Television Industry.
615 24$aMedia and Communication.
615 24$aPopular Culture.
676   $a777.55
676   $a418.02
700   $aSpiteri Miggiani$b Giselle$4aut$4http://id.loc.gov/vocabulary/relators/aut$01065551
906   $aBOOK
912   $a9910337696603321
996   $aDialogue Writing for Dubbing$92546619
997   $aUNINA