LEADER 04017oam 2200829 c 450 001 9910336049803321 005 20260202090927.0 010 $a9783839446676 010 $a3839446678 024 7 $a10.14361/9783839446676 035 $a(CKB)4930000000056136 035 $a(OAPEN)1005321 035 $a(DE-B1597)508143 035 $a(OCoLC)1105916920 035 $a(DE-B1597)9783839446676 035 $a(ScCtBLL)a18a5623-202e-4107-a2f6-d226fdd1c7e1 035 $a(MiAaPQ)EBC6637439 035 $a(Au-PeEL)EBL6637439 035 $a(OCoLC)1135214379 035 $a(transcript Verlag)9783839446676 035 $a(MiAaPQ)EBC6956050 035 $a(Au-PeEL)EBL6956050 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26143 035 $a(Perlego)1796783 035 $a(oapen)doab26143 035 $a(EXLCZ)994930000000056136 100 $a20260202d2019 uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMusic Practices Across Borders$e(E)Valuating Space, Diversity and Exchange$fGlaucia Peres da Silva, Konstantin Hondros 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2019 215 $a1 online resource (214 p.) 225 0 $aMusik und Klangkultur 311 08$a9783837646672 311 08$a383764667X 327 $aFrontmatter 1 Content 5 Introduction-Music practices across borders 7 Valuation in a reversed economy 41 Culture, creativity and practice 61 "Come and expose yourself to the fantastic music from around the world" 85 From desire for recognition to desire for independence 105 The invention of African art music 127 Contemplating musical life in Tunisia under the French protectorate-the society and challenges 151 The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century 167 Brazilian grooves and cultured cliche?s 191 About the authors 211 330 $aConnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange.This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts. 410 0$aMusik und Klangkultur 517 2 $aPeres da Silva/Hondros (eds.), Music Practices Across Borders$e(E)Valuating Space, Diversity and Exchange 606 $aMusic Practices 606 $aMigration 606 $aEvaluation 606 $aTransnational 606 $aMusic 606 $aGlobalization 606 $aMusicology 606 $aInterculturalism 606 $aSociology of Culture 615 4$aMusic Practices 615 4$aMigration 615 4$aEvaluation 615 4$aTransnational 615 4$aMusic 615 4$aGlobalization 615 4$aMusicology 615 4$aInterculturalism 615 4$aSociology of Culture 676 $a780.1 702 $aPeres da Silva$b Glaucia$p

Glaucia Peres da Silva, Universität Duisburg-Essen, Deutschland

$4edt 702 $aHondros$b Konstantin$p

Konstantin Hondros, Universität Duisburg-Essen, Deutschland

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