LEADER 03245 am 22006973u 450 001 9910332653503321 005 20200903223051.0 010 $a90-04-27012-4 024 7 $a10.1163/9789004270121 035 $a(CKB)2670000000578578 035 $a(EBL)1875445 035 $a(SSID)ssj0001381121 035 $a(PQKBManifestationID)11791896 035 $a(PQKBTitleCode)TC0001381121 035 $a(PQKBWorkID)11391532 035 $a(PQKB)11147930 035 $a(MiAaPQ)EBC1875445 035 $a(OCoLC)893974180$z(OCoLC)889167220 035 $a(nllekb)BRILL9789004270121 035 $a(Au-PeEL)EBL1875445 035 $a(CaPaEBR)ebr10992585 035 $a(CaONFJC)MIL665628 035 $a(OCoLC)897644190 035 $a(ScCtBLL)94ead084-0c00-402d-949a-883f7b995fbc 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26767 035 $a(PPN)202900584 035 $a(EXLCZ)992670000000578578 100 $a20141216h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDionysos in classical Athens $ean understanding through images /$fby Cornelia Isler-Kere?nyi ; translated by Anna Beerens 210 $cBrill$d2014 210 1$aLeiden, Netherlands :$cBrill,$d2015. 210 4$dİ2015 215 $a1 online resource (310 p.) 225 1 $aReligions in the Graeco-Roman World,$x0927-7633 ;$vVolume 181 300 $aDescription based upon print version of record. 311 $a90-04-27011-6 311 $a1-322-34346-2 320 $aIncludes bibliographical references. 327 $aIntroduction -- Dionysiac Subjects in Red-Figure Pottery -- Dionysos for Athens, Dionysos for All -- All Kinds of Satyrs -- Dionysos, a God for the Athenians -- Dionysiac Mythology in Flux -- Unfamiliar and Unknown Dionysiac Rituals -- A New Dionysos at the Parthenon -- The New Dionysos in Vase Painting -- Images of Dionysos from 430 BC onwards -- Summing Up. 330 $aDionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that - contrary to what is usually assumed - he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was present in both the public and private sphere on many, both happy and sad, occasions. In addition, the vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation. 410 0$aReligions in the Graeco-Roman world ;$vVolume 181. 606 $aVase-painting, Greek$zGreece$zAthens 606 $aVases, Red-figured$zGreece$zAthens 610 $aClassics 615 0$aVase-painting, Greek 615 0$aVases, Red-figured 676 $a292.2/113 700 $aIsler-Kere?nyi$b Cornelia$0400779 702 $aBeerens$b Anna$f1957- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910332653503321 996 $aDionysos in classical Athens$92271401 997 $aUNINA