LEADER 02346nam  22005533a 450 
001 9910332649403321
005 20250203235954.0
010   $a9783947732487
010   $a3947732481
024 7 $a10.17885/heiup.483
035   $a(CKB)4100000008965408
035   $a(OAPEN)1005292
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35566
035   $a(ScCtBLL)37bdd0e3-1a44-40cf-92be-5c334406729e
035   $a(OCoLC)1163850760
035   $a(oapen)doab35566
035   $a(EXLCZ)994100000008965408
100   $a20250203i20192020  uu 
101 0 $aeng
135   $auuuuu---auuuu
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aPatterns of Symbolic Violence$fRadmila Mladenova$hVolume 1.0
210   $aHeidelberg$cHeidelberg University Publishing (heiUP)$d2019
210  1$aHeidelberg :$cHeidelberg University Publishing (heiUP),$d2019.
215   $a1 online resource (122) 
225 1 $aInterdisciplinary Studies in Antigypsyism
311 08$a9783947732470 
311 08$a3947732473 
330   $aDrawing on a number of paradigmatic works of art, the book explores the motif of 'gypsy' child-theft and its visualisations. The analytical focus is on the colour coding of bodies in texts and images and their racialised/anti-gypsy uses. Offering a comprehensive survey of the motif's adaptations to different visual media, the author elaborates on its multiple layers of meaning and functions. The analysis starts with a critical review of Cervantes' tale "La gitanilla", moving through seventeenth-century Dutch history painting to take a cursory look at nineteenth-century printed images, and end up with an annotated filmography of 49 cinematic works.
606   $aCultural studies$2bicssc
610   $aAntigypsyism
610   $aCritical Whiteness
610   $aRacism
610   $aVisual Media
610   $aEuropean Art and Cultural History
610   $aAntiziganismus
610   $aRassismus
610   $aVisuelle Medien
610   $aEuropäische Kunst- und Kulturgeschichte
615  7$aCultural studies
700   $aMladenova$b Radmila$0964876
801  0$bScCtBLL
801  1$bScCtBLL
906   $aBOOK
912   $a9910332649403321
996   $aPatterns of Symbolic Violence$92189122
997   $aUNINA