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035   $a(MiAaPQ)EBC5807851
035   $a(WaSeSS)IndRDA00125776
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37523
035   $a(EXLCZ)994100000008530721
100   $a20200718d2019      uy             0
101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aZhang Peili $efrom painting to video /$fedited by Olivier Krischer
210   $cANU Press$d2019
210  1$aActon, Australian Capital Territory :$cAustralian National University Press,$d2019.
215   $a1 online resource (188 pages) $cillustrations
311   $a1-76046-282-9 
327   $aZhang Peili: more than a painting, an exhibition or a book / Olivier Krischer -- Of art and friendship, and a flying machine / Lois Conner -- Something in the air / Geremie R. Barme? -- The '85 New Space exhibition: Radical experiments and the academy / Katherine Grube -- Zhang Peili's Flying Machine and the ends of painting in Chinese contemporary art / Olivier Krischer -- Zhang Peili: negotiating a space for contemporary art in China with video / John Clark -- On curating media art between China and Australia since the 1990s / Kim Machan.
330   $aIn 2014, New York-based artist Lois Conner gifted one of pioneering Chinese artist Zhang Peili?s last paintings to The Australian National University?s newly opened Australian Centre on China in the World. Never exhibited and thought lost, the reemergence of Flying Machine (1994) prompts an exploration of the relation between painting and video in the oeuvre of Zhang Peili. Given Zhang?s significance as a leading conceptual painter in the 1980s, then as a media art pioneer and educator in the 1990s and 2000s, Zhang Peili: From Painting to Video is also a nuanced study of broader developments in Chinese contemporary art?s history. Featuring contributions by historian Geremie R. Barmé, photographer Lois Conner, art historians John Clark, Katie Grube, and Olivier Krischer, and curator Kim Machan, these essays together challenge the narrative of Zhang as ?the father of Chinese video art?, highlighting instead the conceptual consistency, rigour, and formal experimentation in his work, which transcends a specific medium. By equal measure, the book embraces longstanding connections as integral to its meaning, connections between artists, curators and researchers, collaborators, colleagues and friends through China and Australia.
606   $aVideo art$zChina$vExhibitions
610   $aArt
610   $apaintings
610   $agraphic art
610   $aChina
615  0$aVideo art
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700   $aKrischer$b Olivier$4edt$01370851
702   $aKrischer$b Olivier
712 02$aAustralian Centre on China in the World.
801  0$bWaSeSS
801  1$bWaSeSS
906   $aBOOK
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996   $aZhang Peili$93399054
997   $aUNINA