LEADER 02914oam 22006374a 450 001 9910320756203321 005 20240405031153.0 010 $a90-485-1842-3 024 7 $a10.1515/9789048518425 035 $a(CKB)3710000000118110 035 $a(EBL)1773725 035 $a(OCoLC)880878363 035 $a(MdBmJHUP)muse78675 035 $a(DE-B1597)517585 035 $a(DE-B1597)9789048518425 035 $a(Au-PeEL)EBL1773725 035 $a(CaPaEBR)ebr10878373 035 $a(CaONFJC)MIL801039 035 $a(OCoLC)923708885 035 $a(MiAaPQ)EBC1773725 035 $a(EXLCZ)993710000000118110 100 $a20130423d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aImprovising Cinema$fGilles Moue?llic 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d2013. 210 4$d©2013. 215 $a1 online resource (205 p.) 225 1 $aFilm culture in transition 300 $aDescription based upon print version of record. 311 $a90-8964-551-9 311 $a90-8964-515-2 320 $aIncludes bibliographical references (p. [187]-190) and indexes. 327 $tFrontmatter --$tContents --$tAcknowledgements --$tIntroduction --$t1. Writing and improvisation --$t2. Creation in action --$t3. The influence of Jean Rouch --$t4. Acting cinema --$t5. The temptation of theatre --$t6. The rules of the game --$t7. Filming jazz --$tConclusion --$tNotes --$tBibliography --$tIndex of names --$tIndex of films 330 $aThis spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance. 410 0$aFilm culture in transition. 606 $aMotion pictures$xHistory 606 $aDocumentary films$xHistory and criticism 606 $aExperimental films$xHistory and criticism 606 $aImprovisation (Acting) 615 0$aMotion pictures$xHistory. 615 0$aDocumentary films$xHistory and criticism. 615 0$aExperimental films$xHistory and criticism. 615 0$aImprovisation (Acting) 676 $a791.43 700 $aMoue?llic$b Gilles$0779098 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910320756203321 996 $aImprovising Cinema$91962646 997 $aUNINA