LEADER 00822oam 2200181z- 450 001 996389039003316 005 20200818222433.0 035 $a(CKB)4940000000091810 035 $a(EEBO)2264188764 035 $a(EXLCZ)994940000000091810 100 $a20191209c1646uuuu -u- - 101 0 $aeng 200 14$aThe Scotish dove, sent out and returning Bringing intelligence from their army, and makes some relations of other observable passages of both kingdomes, for information and instruction. [Issue 125] 210 $aEngland$cPrinted for Laurence Chapman 906 $aBOOK 912 $a996389039003316 996 $aThe Scotish dove, sent out and returning Bringing intelligence from their army, and makes some relations of other observable passages of both kingdomes, for information and instruction.$92299087 997 $aUNISA LEADER 02749nam 2200649 a 450 001 9910139572903321 005 20170815153004.0 010 $a1-283-29499-0 010 $a9786613294999 010 $a1-118-17553-0 010 $a1-61344-888-0 010 $a1-118-17555-7 035 $a(CKB)2550000000056522 035 $a(EBL)819010 035 $a(OCoLC)761321897 035 $a(SSID)ssj0000568782 035 $a(PQKBManifestationID)11355587 035 $a(PQKBTitleCode)TC0000568782 035 $a(PQKBWorkID)10536543 035 $a(PQKB)10237830 035 $a(MiAaPQ)EBC819010 035 $a(EXLCZ)992550000000056522 100 $a20111128d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCarbon dioxide sequestration and related technologies$b[electronic resource] /$fedited by Ying (Alice) Wu, John J. Carroll and Zhimin Du 210 $aHoboken, N.J. $cScrivener Wiley$d2011 215 $a1 online resource (510 p.) 225 1 $aAdvances in natural gas engineering 300 $aDescription based upon print version of record. 311 $a1-118-17554-9 311 $a0-470-93876-5 320 $aIncludes bibliographical references and index. 327 $asection 1. Data and correlation -- section 2. Process engineering -- section 3. Reservoir engineering -- section 4. Enhanced Oil Recovery (EOR) -- section 5. Geology and geochemistry -- section 6. Well technology -- section 7. Corrosion. 330 $aCarbon dioxide sequestration is a technology that is being explored to curb the anthropogenic emission of CO2 into the atmosphere. Carbon dioxide has been implicated in the global climate change and reducing them is a potential solution. The injection of carbon dioxide for enhanced oil recovery (EOR) has the duel benefit of sequestering the CO2 and extending the life of some older fields. Sequestering CO2 and EOR have many shared elements that make them comparable. This volume presents some of the latest information on these processes covering physical 410 0$aAdvances in natural gas engineering. 606 $aCarbon dioxide mitigation 606 $aCarbon sequestration 606 $aGas wells 608 $aElectronic books. 615 0$aCarbon dioxide mitigation. 615 0$aCarbon sequestration. 615 0$aGas wells. 676 $a665.89 701 $aCarroll$b John J$026570 701 $aWu$b Ying (Alice)$0854288 701 $aDu$b Zhimin$0854289 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910139572903321 996 $aCarbon dioxide sequestration and related technologies$91907726 997 $aUNINA LEADER 04115nam 2200541 450 001 9910320754203321 005 20200520144314.0 010 $a90-485-2480-6 024 7 $a10.1515/9789048524808 035 $a(CKB)4340000000192346 035 $a(MiAaPQ)EBC4924507 035 $a(DE-B1597)502850 035 $a(OCoLC)1058464761 035 $a(DE-B1597)9789048524808 035 $a(OCoLC)1135855913 035 $a(MdBmJHUP)muse76723 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/28901 035 $a(Au-PeEL)EBL4924507 035 $a(CaPaEBR)ebr11417208 035 $a(OCoLC)994883244 035 $a(EXLCZ)994340000000192346 100 $a20170819h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aMuseums in a digital culture $ehow art and heritage become meaningful /$fedited by Chiel van den Akker and Susan Legene 210 1$aAmsterdam, [Netherlands] :$cAmsterdam University Press,$d[2016] 210 4$d[2016] 215 $a1 online resource (142 pages) $cillustrations, photographs 300 $aIncludes index. 311 $a90-8964-661-2 327 $aCover -- Contents -- Introduction: Museums in a Digital Culture: How Art and Heritage Become Meaningful / Chiel van den Akker and Susan Lege?ne -- 1. Touched from a Distance: The Practice of Affective Browsing / Martijn Stevens -- 2. Visual Touch: Ekphrasis and Interactive Art Installations / Cecilia Lindhe? -- 3. Breathing Art: Art as an Encompassing and Participatory Experience / Christina Grammatikopoulou -- 4. Curiosity and the Fate of Chronicles and Narratives / Chiel van den Akker -- 5. Networked Knowledge and Epistemic Authority in the Development of Virtual Museums / Anne Beaulieu and Sarah de Rijcke -- 6. Between History and Commemoration: The Digital Monument to the Jewish Community in the Netherlands / Serge ter Braake -- 7. From the Smithsonian's MacFarlane Collection to Inuvialuit Living History / Kate Hennessy -- Conclusion / Chiel van den Akker -- Notes on Contributors -- Index -- List of Figures -- Figure 1 -- Philip James De Loutherbourg. The Vision of the White Horse 1798 -- Figure 2 -- Char Davies. Breathing and balance interface used in the performance of immersive virtual reality environments Osmose (1995) and Ephe?me?re (1998) -- Figure 3 -- Char Davies. Forest Grid, Osmose (1995). Digital still captured in real-time through HMD (head-mounted display) during live performance of the immersive virtual environment Osmose -- Figure 4 -- George Khut. Cardiomorphologies v.2 (2005). Interactive installation -- Figure 5 -- Christa Sommerer and Laurent Mignonneau. Mobile Feelings II (2003). Interface devices -- Figure 6 -- Anton Raphael Mengs (1772/73). The Triumph of History over Time: Allegory of the Museum Clementinum. Ceiling fresco in the Camera dei Papiri, Vatican Library -- Figure 7 -- Screenshot from the Digital Monument to the Jewish Community. 330 $aThe experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage? 606 $aMuseums$xInformation technology 615 0$aMuseums$xInformation technology. 676 $a069.0285 686 $a20.12$2bcl 702 $aAkker$b Chiel van den$f1974- 702 $aLegene$b Susan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910320754203321 996 $aMuseums in a digital culture$93659367 997 $aUNINA