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200 10$aJump start the adult learner $ehow to engage and motivate adults using brain-compatible strategies /$fLaurie Materna ; indexer, Sheila Bodell ; cover designer, Lisa Miller
210 1$aThousand Oaks, California :$cCorwin Press,$d2007.
210 4$d©2007
215 $a1 online resource (232 p.)
300 $aDescription based upon print version of record.
311 $a1-4129-5293-X
320 $aIncludes bibliographical references and index.
327 $a""Cover""; ""Contents""; ""List of Figures""; ""List of Tables""; ""Preface""; ""Acknowledgments""; ""About the Author""; ""Part I - Brain 101""; ""Chapter 1 - How the Brain Learns""; ""The Lower Brain""; ""The Middle Brain""; ""The Upper Brain""; ""Whole-Brain Learning""; ""Upper-Brain Processing""; ""Brain Circuitry and Transmission of Thought""; ""Chapter 2 - Promotion of Learning""; ""Promotion of Memory and Information Processing in Adult Learners""; ""The Adult Brain""; ""Part II - The Resourceful Learning State""; ""Chapter 3 - Learning Styles and Multiple Intelligences""
327 $a""Preferred Learning Styles""""Promoting Combination Learning""; ""Kolba???s Cycle of Learning Theory""; ""Personality Preferences and Learning Style""; ""Personal Application of Learning Styles Theory to Adult Education""; ""Theories of Intelligence""; ""Personal Application of Intelligence Theory to Adult Education""; ""Chapter 4 - Preparing the Brain to Learn""; ""Promoting the Resourceful Learning State""; ""Breathing Exercises""; ""Powerful Peripherals""; ""The Use of Aromas to Promote Learning""; ""The Impact of Nutrition Upon Learning""; ""The Role of Music in Learning""
327 $a""Creative Visualizations and Mind Calms""""Balancing the Brain Through Movement Activities""; ""Recipe for Success in Promoting a Resourceful Learning State""; ""Part III - Active Learning Strategies""; ""Chapter 5 - Key Metacognitive Learning Strategies""; ""Metacognition and the Adult Brain""; ""Knowledge Acquisition Strategies""; ""Types of Graphic Organizers""; ""Study Strategies to Promote Comprehension""; ""Promoting Active Learning""; ""Chapter 6 - Blending Taxonomies to Bring the Learning Process Full Cycle""; ""Taxonomies in Education""; ""The Materna Method""
327 $a""Application of Brain-Compatible Principles in the Adult Classroom""""Free Your Creative Spirit!""; ""Resource A: Brain Warm-Ups""; ""Resource B: Active Learning Strategies for Knowledge, Remembering, and Retrieval""; ""Resource C: Active Learning Strategies for Comprehension and Understanding""; ""Resource D: Active Learning Strategies for Application and Deeper Comprehension""; ""Resource E: Active Learning Strategies for Analysis""; ""References""; ""Index""
330 $a""Overall this text is a very interesting read with significant applicability to both advisors and faculty. The creative advisor will have no problem synthesizing Materna's ideas and theories of brain-compatible learning strategies into daily interactions with students and faculty."" -Jennifer Varney, Hesser College
Use these interactive strategies to help adults become more self-directed in their learning, improve their ability to comprehend and apply complex information, and unleash their creative potential.
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200 10$aCostumes, reflets et illusions $eLes habits d'emprunt dans la création contemporaine /$fKarine Gros
210 $aRennes $cPresses universitaires de Rennes$d2018
215 $a1 online resource (232-[16] p.)
311 $a2-7535-3316-4
330 $aCet ouvrage fait suite au colloque « L'habit d'emprunt : supercheries littéraires et tissages des arts » organisé en 2009 à l'université Paris-Est-Créteil et à la médiathèque l'Astrolabe de Melun. Il aborde les productions contemporaines (littéraires, picturales, musicales, photographiques) en faisant l'hypothèse qu'elles avancent masquées. Dans les ?uvres contemporaines, les costumes, les reflets et les illusions sont plus que des thèmes : ils hantent les récits, de l'intrigue jusqu'aux personnages et aux narrateurs, des mots jusqu'aux figures de style. Ils sont les marques de dédoublements, de vols, d'emprunts, mais aussi du visible, de parure, d'invisible, voire de nudité. Quels sont les représentations et les enjeux esthétiques et éthiques des emprunts visibles ou invisibles. Quels sont les procédés poétiques, narratifs, interartistiques et philosophiques dont disposent les écrivains et les artistes ? Telles sont les questions qu'abordent les auteurs qui ont contribué à cet ouvrage.
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