LEADER 00841nam0-22003011i-450- 001 990000791680403321 005 20001010 010 $a88-8114-490-5 035 $a000079168 035 $aFED01000079168 035 $a(Aleph)000079168FED01 035 $a000079168 100 $a20001010d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aCapri$ela magia delle controstagioni$fCarlo Dumontet$gintroduzione di Ermanno Corsi 210 $aNapoli$cESI$d[1997] 215 $a1 v. (senza paginazione)$ccompletamente ill., fot.$d23x30 cm 610 0 $aCAPRI 700 1$aDumontet,$bCarlo$039109 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000791680403321 952 $aSEZ.NA B 1596$b8826$fFARBC 959 $aFARBC 996 $aCapri$9351858 997 $aUNINA DB $aING01 LEADER 03035oam 22005174a 450 001 9910315231403321 005 20250929160750.0 010 $a1-947447-72-6 024 7 $a10.21983/P3.0230.1.00 035 $a(CKB)4100000007823987 035 $a(OAPEN)1004695 035 $a(OCoLC)1100528099 035 $a(MdBmJHUP)muse77047 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/39420 035 $a(oapen)doab39420 035 $a(EXLCZ)994100000007823987 100 $a20180620d2018 uy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDisrupting the Digital Humanities$fDorothy Kim ; [edited by] Dorothy Kim, Jesse Stommel 205 $a1st edition. 210 $aBrooklyn, NY$cpunctum books$d2018 210 1$aSanta Barbara, CA :$cPunctum Books,$d2018. 210 4$dİ2018. 215 $a1 online resource (509 pages) $cillustrations; PDF, digital file(s) 311 08$a1-947447-71-8 320 $aIncludes bibliographical references. 330 $aAll too often, defining a discipline becomes more an exercise of exclusion than inclusion. Disrupting the Digital Humanities seeks to rethink how we map disciplinary terrain by directly confronting the gatekeeping impulse of many other so-called field-defining collections. What is most beautiful about the work of the Digital Humanities is exactly the fact that it can?t be tidily anthologized. In fact, the desire to neatly define the Digital Humanities (to filter the DH-y from the DH) is a way of excluding the radically diverse work that actually constitutes the field. This collection, then, works to push and prod at the edges of the Digital Humanities ? to open the Digital Humanities rather than close it down. Ultimately, it?s exactly the fringes, the outliers, that make the Digital Humanities both heterogeneous and rigorous. This collection does not constitute yet another reservoir for the new Digital Humanities canon. Rather, its aim is less about assembling content as it is about creating new conversations. Building a truly communal space for the digital humanities requires that we all approach that space with a commitment to: 1) creating open and non-hierarchical dialogues; 2) championing non-traditional work that might not otherwise be recognized through conventional scholarly channels; 3) amplifying marginalized voices; 4) advocating for students and learners; and 5) sharing generously and openly to support the work of our peers. 606 $aHumanities$2bicssc 610 $adisrupting 610 $adigital humanities 615 7$aHumanities 676 $a001.30285 700 $aKim$b Dorothy$01023058 702 $aStommel$b Jesse$4edt 702 $aKim$b Dorothy$4oth 702 $aStommel$b Jesse$4oth 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910315231403321 996 $aDisrupting the Digital Humanities$92430396 997 $aUNINA