LEADER 03164nam 2200673 a 450 001 9910451569503321 005 20200520144314.0 010 $a0-8131-3491-9 010 $a1-283-23306-1 010 $a9786613233066 010 $a0-8131-7215-2 035 $a(CKB)1000000000475374 035 $a(EBL)792215 035 $a(OCoLC)166261792 035 $a(SSID)ssj0000158227 035 $a(PQKBManifestationID)11162922 035 $a(PQKBTitleCode)TC0000158227 035 $a(PQKBWorkID)10147606 035 $a(PQKB)10560336 035 $a(StDuBDS)EDZ0000038483 035 $a(MiAaPQ)EBC792215 035 $a(MdBmJHUP)muse13809 035 $a(Au-PeEL)EBL792215 035 $a(CaPaEBR)ebr10495350 035 $a(CaONFJC)MIL323306 035 $a(EXLCZ)991000000000475374 100 $a20061129d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFreedom to offend$b[electronic resource] $ehow New York remade movie culture /$fRaymond J. Haberski, Jr 210 $aLexington $cUniversity Press of Kentucky$dc2007 215 $a1 online resource (279 p.) 300 $aDescription based upon print version of record. 311 $a0-8131-3841-8 311 $a0-8131-2429-8 320 $aIncludes bibliographical references (p. 251-258) and index. 327 $aFront cover; Copyright; Contents; Acknowledgments; Introduction; 1. The Web of Control; 2. The Miracle and Bosley Crowther; 3. Baby Doll and Commnweal Criticism; 4. Amos Vogel and Confrontational Cinema; 5. The ""Flaming"" Freedom of Jonas Mekas; 6. The End of New York Movie Culture; 7. Did Bonnie and Clyde Kill Bosley Crowther?; 8. The Failure of Porno Chic; Conclusion: The Irrelevance of Controversial Culture; Notes; Bibliography; Index 330 $aIn the postwar era, producers and consumers of cinema began to demand more freedom to make and view movies that accurately portrayed the complexities of real life. In Freedom to Offend, Raymond J. Haberski Jr. details the battles, fought largely in New York City, to secure ""freedom of the screen"" for film audiences. In the libertine 1970's, arguments supporting the right to see challenging films were twisted to provide intellectual cover for movies created solely to lure viewers with outrageous or titillating material. Haberski exposes the unquestioning defense of free expression as an... 606 $aMotion pictures$xCensorship$zNew York (State)$zNew York$xHistory 606 $aFilm criticism$zNew York (State)$zNew York$xHistory 606 $aMotion pictures$zNew York (State)$zNew York$xHistory 606 $aCulture in motion pictures 608 $aElectronic books. 615 0$aMotion pictures$xCensorship$xHistory. 615 0$aFilm criticism$xHistory. 615 0$aMotion pictures$xHistory. 615 0$aCulture in motion pictures. 676 $a363.3109747/1 700 $aHaberski$b Raymond J.$f1968-$01046353 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451569503321 996 $aFreedom to offend$92473191 997 $aUNINA LEADER 03057oam 22005294a 450 001 9910315230403321 005 20230621135900.0 010 $a1-950192-06-7 024 7 $a10.21983/P3.0244.1.00 035 $a(CKB)4100000007823997 035 $a(OAPEN)1004708 035 $a(OCoLC)1147276673 035 $a(MdBmJHUP)muse87230 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37168 035 $a(oapen)doab37168 035 $a(EXLCZ)994100000007823997 100 $a20181231d2019 uy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNoise Thinks the Anthropocene: An Experiment in Noise Poetics$fAaron Zwintscher 205 $a1st edition. 210 $aBrooklyn, NY$cpunctum books$d2019 210 1$aSanta Barbara, CA :$cPunctum Books,$d2019. 210 4$dİ2019. 215 $a1 online resource (154 pages) $cillustrations; PDF, digital file(s) 311 08$aPrint version: 9781950192052 320 $aIncludes bibliographical references. 330 $aIn an increasingly technologized and connected world, it seems as if noise must be increasing. Noise, however, is a complicated term with a complicated history. Noise can be traced through structures of power, theories of knowledge, communication, and scientific practice, as well as through questions of art, sound, and music. Thus, rather than assume that it must be increasing, this work has focused on better understanding the various ways that noise is defined, what that noise can do, and how we can use noise as a strategically political tactic. Noise Thinks the Anthropocene is a textual experiment in noise poetics that uses the growing body of research into noise as source material. It is an experiment in that it results from indeterminate means, alternative grammar, and experimental thinking. The outcome was not predetermined. It uses noise to explain, elucidate, and evoke (akin to other poetic forms) within the textual milieu in a manner that seeks to be less determinate and more improvisational than conventional writing. Noise Thinks the Anthropocene argues that noise poetics is a necessary form for addressing political inequality, coexistence with the (nonhuman) other, the ecological crisis, and sustainability because it approaches these issues as a system of interconnected fragments and excesses and thus has the potential to reach or envision solutions in novel ways. 606 $aTheory of music & musicology$2bicssc 608 $aElectronic books. 610 $aanthropocene 610 $anoise 610 $aecological studies 610 $asound studies 610 $apoetics 610 $asustainability studies 615 7$aTheory of music & musicology 700 $aZwintscher$b Aaron$0898040 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910315230403321 996 $aNoise Thinks the Anthropocene: An Experiment in Noise Poetics$92006377 997 $aUNINA