LEADER 02119 am  22003733u 450 
001 9910315225103321
005 20230621140212.0
010   $a9789491914058
024 7 $a10.21983/P3.0228.1.00
035   $a(CKB)4100000007824050
035   $a(OAPEN)1004693
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/28881
035   $a(EXLCZ)994100000007824050
100   $a20200123d2015      fy             0
101 0 $aita
135   $aurmu#---auuuu
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aWriting art /$fJeremy Fernando ; with an introduction in Italian by Alessandro De Francesco
210   $aBrooklyn, NY$cpunctum books$d2015
210  1$aDen Haag, Netherlands :$cUitgeverij,$d2015.
215   $a1 online resource (177 pages) $cillustrations; PDF, digital file(s)
311 08$aPrint version: 9491914057 
330   $aWriting Art is an attempt to respond to the possibilities of art, the potentialities in art, to the possible event that art is. Keeping in mind that events are always already potentially beyond us, are quite possibly unknown, unknowable. In this book, Jeremy Fernando meditates on art through a response to specifics works, to the specificity of the craft, tekhn?, of each work; offering a reading of specific works of photography (Photovoice sg), poetry (Tammy Ho Lai-Ming), installation art (Charles Lim), film (Tan Chui Mui), conceptual art (ZXEROKOOL), and charcoal drawings (Yanyun Chen).  Through writing.  For, to write is always also to scribble, to scratch, tear, quite possibly open ? and perhaps more importantly, to open the possibility of a relation with another, to the unknowability that is the other. At the risk that this writing causes one to writhe, to be torn, to cry out; even if the very one is himself.
606   $aArt criticism
610   $aliterary theory
615  0$aArt criticism.
700   $aFernando$b Jeremy$0709463
702   $aDe Francesco$b Alessandro
801  2$bUkMaJRU
912   $a9910315225103321
996   $aWriting art$92195423
997   $aUNINA