LEADER 03683nam 22005531a 450 001 9910311932003321 005 20200514202323.0 010 $a1-4742-3706-1 010 $a1-4742-3704-5 010 $a1-4742-3705-3 024 7 $a10.5040/9781474237062 035 $a(CKB)3710000000846909 035 $a(EBL)4673097 035 $a(MiAaPQ)EBC4673097 035 $a(MiAaPQ)EBC6160468 035 $a(OCoLC)958120539 035 $a(UkLoBP)bpp09261976 035 $a(ScCtBLL)f884827e-5765-42a8-86fa-b737e8a8ed16 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37003 035 $a(EXLCZ)993710000000846909 100 $a20180619d2017 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aQueering the Shakespeare film $egender trouble, gay spectatorship, and male homoeroticism /$fAnthony Guy Patricia 210 $aLondon $cBloomsbury Arden Shakespeare$d2017 215 $a1 online resource (315 p.) 225 1 $aArden Shakespeare 300 $aDescription based upon print version of record. 311 $a1-350-08446-8 311 $a1-4742-3703-7 320 $aIncludes bibliographical references and index. 327 $aFC ; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgements; Introduction: The presence of the queer in the Shakespeare film; 1 Max Reinhardt and William Dieterle's A Midsummer Night's Dream and the queer problematics of gender, sodomy, marriage and masculinity; 2 The queer director, gay spectatorship and three cinematic productions of Shakespeare's 'straightest' play - Romeo and Juliet 327 $a3 The visual poetics of gender trouble in Trevor Nunn's Twelfth Night, Baz Luhrmann's Romeo + Juliet and Michael Hoffman's William Shakespeare's A Midsummer Night's Dream4 Screening the male homoerotics of Shakespearean romantic comedy on film in Michael Radford's The Merchant of Venice and Trevor Nunn's Twelfth Night; 5 'I am your own forever': Iago, queer self-fashioning and the cinematic Othellos of Orson Welles and Oliver Parker; Conclusion: Queering the Shakespeare film in the early twenty-first century; Notes; Bibliography; Index 330 $a"A range of mainstream and independent English language film productions of A Midsummer Night's Dream, Romeo and Juliet, Othello, Twelfth Night, and The Merchant of Venice take centre stage in Queering the Shakespeare Film. This study critiques the various representations of the queer - broadly understood as that which is at odds with what has been deemed to be the normal, the legitimate, and the dominant, particularly - but not exclusively - as regards sexual matters, in the Shakespeare film. The movies chosen for analysis correspond deliberately with those Shakespeare plays that, as written texts, have been subjected to a great deal of productive study in a queer context since the beginnings of queer theory in the early 1990s. Thus the book extends the ongoing queer discussion of these written texts to their counterpart cinematic texts. Queering the Shakespeare Film is a much-needed alternative and complementary critical history of the Shakespeare film genre."--Bloomsbury Publishing. 410 0$aArden Shakespeare (Critical studies) 606 $aHomosexuality in motion pictures 615 0$aHomosexuality in motion pictures. 676 $a791.436 700 $aPatricia$b Anthony Guy$0852043 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910311932003321 996 $aQueering the Shakespeare film$91902563 997 $aUNINA