LEADER 04257 am 22006133u 450 001 9910311931003321 005 20240124005712.0 010 $a0-8223-7199-5 035 $a(CKB)4100000006995651 035 $a(MiAaPQ)EBC5527493 035 $a1050366309 035 $a(OCoLC)1105773219 035 $a(MdBmJHUP)muse74705 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/30346 035 $a(EXLCZ)994100000006995651 100 $a20180831d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aDigital sound studies /$fedited by Mary Caton Lingold, Darren Mueller, and Whitney Trettien 210 $aDurham, NC$cDuke University Press$d2018 210 1$aDurham :$cDuke University Press,$d2018. 215 $a1 online resource (313 pages) 311 $a0-8223-7048-4 320 $aIncludes bibliographical references and index. 327 $aTheories and genealogies -- Ethnodigital sonics and the historical imagination / Richard Cullen Rath -- Performing Zora : critical ethnography, digital sound, and not forgetting / Myron M. Beasley -- Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity / Jonathan W. Stone -- Digital communities -- The pleasure (is) principle: sounding out! and the digitizing of community / Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva -- Becoming outkasted: archiving contemporary Black Southernness in a digital age / Regina N. Bradley -- Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography / W.F. Umi Hsu -- Disciplinary translations -- Word. spoken. articulating the voice for high-performance sound technologies for access and scholarship (hipstas) / Tanya E. Clement -- "A foreign sound to your ear" : digital image sonification for historical interpretation / Michael J. Kramer -- Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes / Joanna Swafford -- Points forward -- Digital approaches to historical acoustemologies: replication and reenactment / Rebecca Dowd Geoffroy-Schwinden -- Sound practices for digital humanities / Steph Ceraso -- Afterword: demands of duration: the futures of digital sound scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien. 330 $aThe digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume?s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines?including rhetoric and composition, performance studies, anthropology, history, and information science?the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. 606 $aDigital humanities 606 $aSound$xRecording and reproducing$xDigital techniques 606 $aSound 606 $aSound in mass media 610 $aMusic 610 $aSound Studies 610 $aDigital Humanities 610 $aDigital Pedagogy 610 $aMedia 610 $aTechnology 615 0$aDigital humanities. 615 0$aSound$xRecording and reproducing$xDigital techniques. 615 0$aSound. 615 0$aSound in mass media. 676 $a001.30285 700 $aLingold$b Mary Caton$4edt$01536660 702 $aLingold$b Mary Caton$f1981- 702 $aMueller$b Darren$f1983- 702 $aTrettien$b Whitney 801 0$bNDD 801 1$bNDD 906 $aBOOK 912 $a9910311931003321 996 $aDigital sound studies$93785513 997 $aUNINA