LEADER 04414 am 22006253- 450 001 9910311930403321 005 20231214145435.0 010 $a1-78374-541-X 024 7 $a10.11647/OBP.0149 035 $a(CKB)4100000007595558 035 $a(OAPEN)1004281 035 $a(MiAaPQ)EBC5651728 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/38341 035 $a(EXLCZ)994100000007595558 100 $a20190306018 xx uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Juggler of Notre Dame and the Medievalizing of Modernity$hVol. 6$e: War and Peace, Sex and Violence /$fJan M. Ziolkowski 210 $cOpen Book Publishers$d2018 215 $a1 online resource (332) 225 1 $a62035e27-8ddf-462a-9850-b67b11f46244 311 $a1-78374-539-8 311 $a1-78374-540-1 327 $aIntro; Contents; Note to the Reader; 1. Juggler Allies; France; Great Britain; United States; 2. The Juggler by Jingoism: Nazis and Their Neighbors; Virginal Visions; Belgium; The Netherlands; Germany; Curt Sigmar Gutkind; Hans Ho?mberg; After the War; Austria; 3. Portrait of the Artist as a Young Juggler; Richard Sullivan, Notre Dame Professor; R.O. Blechman, Cartoon Juggler; Robert Lax, Poet among Acrobats; Tony Curtis, Prime-Time Juggler; W.H. Auden, The Ballad of Barnaby; Music from Massenet to Peter Maxwell Davies; 4. Membranes of Things Past; Misremembering and Remembering 330 $a"This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this concluding volume, Ziolkowski explores the popularity of The Juggler of Notre Dame from the 1930s through the Second World War, especially in the Allied Resistance. Its popularity in the United States was subsequently maintained by figures as diverse as Tony Curtis and W. H. Auden, and although recently the story and medievalism have lost ground, the future of both holds promise. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies." 517 $aJuggler of Notre Dame and the Medievalizing of Modernity. Volume 6 517 $aJuggler of Notre Dame and the Medievalizing of Modernity 606 $aHistory of art: Byzantine & Medieval art c 500 CE to c 1400$2bicssc 606 $aLiterature & literary studies$2bicssc 606 $aFolklore, myths & legends$2bicssc 607 $aUnited States$xCivilization$y20th century 610 $aMiddle Ages 610 $areception studies 610 $aModernity 610 $amedieval studies 610 $amedievalism 610 $aphilology 610 $aliterary history 610 $aart history 610 $afolklore 610 $aperformance studies 610 $aclassical music 610 $aLe jongleur de Notre Dame 615 7$aHistory of art: Byzantine & Medieval art c 500 CE to c 1400 615 7$aLiterature & literary studies 615 7$aFolklore, myths & legends 700 $aZiolkowski$b Jan M.$f1956-$0161415 712 02$aOpen Book Publishers, 906 $aBOOK 912 $a9910311930403321 996 $aThe juggler of Notre Dame and the medievalizing of modernity$91927734 997 $aUNINA