LEADER 05274 am 22005893u 450 001 9910311929403321 005 20200522035803.0 010 $a1-78374-656-4 035 $a(CKB)4100000007762241 035 $a(MiAaPQ)EBC5725327 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33320 035 $a(EXLCZ)994100000007762241 100 $a20190403d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHyperion, or the Hermit in Greece /$fby Friedrich Ho?lderlin ; translated and with an afterword by Howard Gaskill 210 $cOpen Book Publishers$d2019 210 1$aCambridge, UK :$cOpen Book Publishers,$d2019. 215 $a1 online resource (236 pages) 225 0 $aOpen Book classics,$x2054-216X ;$vVolume 10 311 $a1-78374-655-6 311 $a1-78374-657-2 327 $aIntro; Contents; Hyperion, or the Hermit in Greece; Volume One; Foreword; Book One; Hyperion to Bellarmin [I]; Hyperion to Bellarmin [II]; Hyperion to Bellarmin [III]; Hyperion to Bellarmin [IV]; Hyperion to Bellarmin [V]; Hyperion to Bellarmin [VI]; Hyperion to Bellarmin [VII]; Hyperion to Bellarmin [VIII]; Hyperion to Bellarmin [IX]; Hyperion to Bellarmin [X]; Hyperion to Bellarmin [XI]; Book Two; Hyperion to Bellarmin [XII]; Hyperion to Bellarmin [XIII]; Hyperion to Bellarmin [XIV]; Hyperion to Bellarmin [XV]; Hyperion to Bellarmin [XVI]; Hyperion to Bellarmin [XVII] 327 $aHyperion to Bellarmin [LVII]Hyperion to Bellarmin [LVIII]; Continued; Continued; Continued; Continued; Hyperion to Bellarmin [LIX]; Hyperion to Bellarmin [LX]; Afterword; A Novel in Letters; The Foreword; 'Not to be constrained by the greatest ... '; ' ... return whence he came'; Englishing Hyperion; Acknowledgments; Appendix A; Editions consulted; Appendix B; Translations; English; Other translations consulted; Appendix C; Select bibliography in English; Index of Proper Names 327 $aHyperion to Bellarmin [XVIII]Hyperion to Bellarmin [XIX]; Hyperion to Bellarmin [XX]; Hyperion to Bellarmin [XXI]; Hyperion to Bellarmin [XXII]; Hyperion to Bellarmin [XXIII]; Hyperion to Bellarmin [XXIV]; Hyperion to Bellarmin [XXV]; Hyperion to Bellarmin [XXVI]; Hyperion to Bellarmin [XXVII]; Hyperion to Bellarmin [XXVIII]; Hyperion to Bellarmin [XXIX]; Hyperion to Bellarmin [XXX]; Volume Two; Book One; Hyperion to Bellarmin [XXXI]; Hyperion to Bellarmin [XXXII]; Hyperion to Bellarmin [XXXIII]; Hyperion to Bellarmin [XXXIV]; Hyperion to Bellarmin [XXXV]; Hyperion to Bellarmin [XXXVI] 327 $aHyperion to Bellarmin [XXXVII]Hyperion to Diotima [XXXVIII]; Hyperion to Diotima [XXXIX]; Hyperion to Diotima [XL]; Hyperion to Diotima [XLI]; Hyperion to Diotima [XLII]; Diotima to Hyperion [XLIII]; Hyperion to Diotima [XLIV]; Hyperion to Diotima [XLV]; Hyperion to Diotima [XLVI]; Diotima to Hyperion [XLVII]; Hyperion to Diotima [XLVIII]; Hyperion to Diotima [XLIX]; Hyperion to Diotima [L]; Hyperion to Diotima [LI]; Hyperion to Diotima [LII]; Book Two; Hyperion to Bellarmin [LIII]; Hyperion to Bellarmin [LIV]; Hyperion to Bellarmin [LV]; Hyperion to Bellarmin [LVI] 330 $a"Friedrich Hölderlin?s only novel, Hyperion (1797?99), is a fictional epistolary autobiography that juxtaposes narration with critical reflection. Returning to Greece after German exile, following his part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation. Though Hölderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. In this skilful translation, Gaskill conveys the beautiful music and rhythms of Hölderlin?s language to an English-speaking reader." 606 $aLiterature & literary studies$2bicssc 606 $aClassic fiction (pre c 1945)$2bicssc 606 $aMyth & legend told as fiction$2bicssc 607 $aGreece$vFiction 610 $aFriedrich Hölderlin 610 $anovel 610 $aHyperion 610 $afictional epistolary autobiography 610 $aEuropean Romanticism 615 7$aLiterature & literary studies 615 7$aClassic fiction (pre c 1945) 615 7$aMyth & legend told as fiction 676 $a831.6 700 $aHo?lderlin$b Friedrich$f1770-1843,$0387678 702 $aGaskill$b Howard 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910311929403321 996 $aHyperion, or the Hermit in Greece$91930028 997 $aUNINA