LEADER 01945oam 22004334u 450 001 9910311928003321 005 20220412074247.0 010 $a1-5013-2853-0 010 $a1-5013-2854-9 035 $a(CKB)4340000000214557 035 $a(MiAaPQ)EBC5015592 035 $a(MiAaPQ)EBC6154513 035 $a(ScCtBLL)49059473-422e-4324-a3af-f51b1a743c9c 035 $a(EXLCZ)994340000000214557 100 $a20200709d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDylan's autobiography of a vocation $ea reading of the lyrics 1965-1967 /$fLouis A. Renza 210 1$aNew York, New York :$cBloomsbury Academic,$d[2017] 210 4$dİ2017 215 $a1 online resource (225 pages) $cillustrations 311 08$a1-5013-5201-6 311 08$a1-5013-2852-2 320 $aIncludes bibliographical references and index. 330 $aMany critics have interpreted Bob Dylan's lyrics, especially those composed during the middle to late 1960s, in the contexts of their relation to American folk, blues, and rock 'n' roll precedents; their discographical details and concert performances; their social, political and cultural relevance; and/or their status for discussion as "poems." Dylan's Autobiography of a Vocation instead focuses on how all of Dylan's 1965-1967 songs manifest traces of his ongoing, internal "autobiography" in which he continually declares and questions his relation to a self-determined existential summons. 606 $aPopular music$zUnited States$y1961-1970$xHistory and criticism 615 0$aPopular music$xHistory and criticism. 676 $a782.42164092 700 $aRenza$b Louis A.$f1940-$0687929 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910311928003321 996 $aDylan's autobiography of a vocation$91978820 997 $aUNINA