LEADER 02263nam 2200649 450 001 9910786699903321 005 20230807211139.0 010 $a0-8036-4397-7 035 $a(CKB)3710000000125253 035 $a(EBL)1710067 035 $a(SSID)ssj0001227987 035 $a(PQKBManifestationID)12569378 035 $a(PQKBTitleCode)TC0001227987 035 $a(PQKBWorkID)11279328 035 $a(PQKB)11110761 035 $a(MiAaPQ)EBC1710067 035 $a(Au-PeEL)EBL1710067 035 $a(CaPaEBR)ebr10881325 035 $a(CaONFJC)MIL618647 035 $a(OCoLC)881417293 035 $a(EXLCZ)993710000000125253 100 $a20140620h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPsychosocial strategies for athletic training /$fMegan D. Granquist [and three others] ; Joanna Cain, developmental editor ; contributors Monna Arvinen-Barrow [and five others] 210 1$aPhiladelphia, Pennsylvania :$cF.A. Davis Company,$d2015. 210 4$dİ2015 215 $a1 online resource (337 p.) 300 $aIncludes index. 311 $a1-306-87396-7 311 $a0-8036-3817-5 330 $aBe prepared to offer not only the physical rehabilitation regimen injured athletes need, but also the psychological and psychosocial support they need to recover from injuries. Here's a user-friendly introduction to the application and practical use of psychosocial theories and techniques. 606 $aAthletes$xMental health 606 $aAthletes$xPsychology 606 $aAthletic trainers 606 $aMedical referral 606 $aSports$xPsychological aspects 615 0$aAthletes$xMental health. 615 0$aAthletes$xPsychology. 615 0$aAthletic trainers. 615 0$aMedical referral. 615 0$aSports$xPsychological aspects. 676 $a617.1/027 700 $aGranquist$b Megan D$01560556 702 $aGranquist$b Megan D. 702 $aCain$b Joanna 702 $aArvinen-Barrow$b Monna 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786699903321 996 $aPsychosocial strategies for athletic training$93826641 997 $aUNINA LEADER 04250oam 2200721 a 450 001 9910309960403321 005 20230621135402.0 010 $a0-472-90118-4 010 $a1-283-33436-4 010 $a9786613334367 010 $a0-472-02773-5 024 7 $a10.3998/mpub.3432847 035 $a(CKB)2550000000060324 035 $a(MH)012970168-8 035 $a(SSID)ssj0000554454 035 $a(PQKBManifestationID)12270510 035 $a(PQKBTitleCode)TC0000554454 035 $a(PQKBWorkID)10512849 035 $a(PQKB)11731547 035 $a(OCoLC)759398134 035 $a(MdBmJHUP)muse748 035 $a(MiAaPQ)EBC5119651 035 $a(MiU)10.3998/mpub.3432847 035 $a(MiAaPQ)EBC4977997 035 $a(MiAaPQ)EBC6533809 035 $a(Au-PeEL)EBL4977997 035 $a(CaONFJC)MIL333436 035 $a(OCoLC)1011234571 035 $a(Au-PeEL)EBL6533809 035 $a(OCoLC)1195819719 035 $a(ScCtBLL)b306aeab-d698-4cce-9ed9-6000722b6c4c 035 $a(EXLCZ)992550000000060324 100 $a20110216d2011 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aBytes and backbeats $erepurposing music in the digital age /$fSteve Savage 210 1$aAnn Arbor, Mich. :$cUniversity of Michigan Press,$dc2011. 215 $a1 online resource (x, 251 p. ) 225 1 $aTracking pop 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-472-11785-8 320 $aIncludes bibliographical references and index. 327 $aRepurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration? 330 $a"From Attali's 'cold social silence' to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of 'repurposing' as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing 'art' and a self-conscious 'artifice' reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music. Through these projects--and with the aid of newly imagined techniques of computer-based recording--Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience, from the perspective of composers, musicians, and listeners. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer."--Jacket. 410 0$aTracking pop 606 $aPopular music$xProduction and direction 606 $aSound recordings$xProduction and direction 615 0$aPopular music$xProduction and direction. 615 0$aSound recordings$xProduction and direction. 676 $a781.6409/051 686 $a9,2$2ssgn 686 $aLR 57790$2rvk 700 $aSavage$b Steve$f1948-$0846536 801 0$bMiU 801 1$bMiU 906 $aBOOK 912 $a9910309960403321 996 $aBytes and backbeats$91891382 997 $aUNINA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress