LEADER 04451oam 2200805 a 450 001 9910309960403321 005 20111101100509.0 010 $a9786613334367 010 $a9780472901180 010 $a0472901184 010 $a9781283334365 010 $a1283334364 010 $a9780472027736 010 $a0472027735 024 7 $a10.3998/mpub.3432847 035 $a(CKB)2550000000060324 035 $a(MH)012970168-8 035 $a(SSID)ssj0000554454 035 $a(PQKBManifestationID)12270510 035 $a(PQKBTitleCode)TC0000554454 035 $a(PQKBWorkID)10512849 035 $a(PQKB)11731547 035 $a(OCoLC)759398134 035 $a(MdBmJHUP)muse748 035 $a(MiAaPQ)EBC5119651 035 $a(MiU)10.3998/mpub.3432847 035 $a(MiAaPQ)EBC4977997 035 $a(MiAaPQ)EBC6533809 035 $a(Au-PeEL)EBL4977997 035 $a(CaONFJC)MIL333436 035 $a(OCoLC)1011234571 035 $a(Au-PeEL)EBL6533809 035 $a(OCoLC)1195819719 035 $a(ScCtBLL)b306aeab-d698-4cce-9ed9-6000722b6c4c 035 $a(Perlego)2329220 035 $a(ODN)ODN0000657340 035 $a(EXLCZ)992550000000060324 100 $a20110216d2011 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aBytes and backbeats $erepurposing music in the digital age /$fSteve Savage 205 $a1st ed. 210 1$aAnn Arbor, Mich. :$cUniversity of Michigan Press,$dc2011. 215 $a1 online resource (x, 251 p. ) 225 1 $aTracking pop 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780472117857 311 08$a0472117858 320 $aIncludes bibliographical references and index. 327 $aRepurposing presentation. Application study : rock band ; Studio study : lipsmacks, mouth noises, and heavy breathing ; Art or artifice? -- Repurposing performance. Application study : jazz piano trio ; Studio study : capturing the unintentional performance ; Artist or artisan? -- Repurposing participation. Application study : African folklore and music communities ; Studio study : from iPod to GarageBand ; Integration or (dis)integration? 330 $a"From Attali's 'cold social silence' to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of 'repurposing' as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing 'art' and a self-conscious 'artifice' reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music. Through these projects--and with the aid of newly imagined techniques of computer-based recording--Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience, from the perspective of composers, musicians, and listeners. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer."--Jacket. 410 0$aTracking pop 606 $aPopular music$xProduction and direction 606 $aSound recordings$xProduction and direction 615 0$aPopular music$xProduction and direction. 615 0$aSound recordings$xProduction and direction. 676 $a781.6409/051 686 $a9,2$2ssgn 686 $aLR 57790$2rvk 700 $aSavage$b Steve$f1948-$0846536 801 0$bMiU 801 1$bMiU 906 $aBOOK 912 $a9910309960403321 996 $aBytes and backbeats$91891382 997 $aUNINA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress