LEADER 01489oas 2200481 a 450 001 9910692108103321 005 20041223105225.0 035 $a(CKB)5470000002352358 035 $a(OCoLC)54368995 035 9 $aocm54368995 035 $a(OCoLC)995470000002352358 035 $a(EXLCZ)995470000002352358 100 $a20040206b19uu1996 sa 101 0 $aeng 135 $auranu||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGarnet$b[electronic resource] 210 $a[Washington, D.C.] $c[U.S. Dept. of the Interior, Bureau of Mines]$d-1997? 225 1 $a1994-1996: [Mineral industry surveys] 300 $aSeries statement from Mineral Industry Surveys web page. 300 $aPublished: Reston, Va., 1995-1996. 300 $aDescription based on: 1994; title from title screen (viewed Feb. 6, 2004). 517 $aGarnet 606 $aGarnet$vStatistics$vPeriodicals 606 $aGarnet industry$zUnited States$vStatistics$vPeriodicals 606 $aGarnet industry$vStatistics$vPeriodicals 608 $aStatistics.$2lcgft 615 0$aGarnet 615 0$aGarnet industry 615 0$aGarnet industry 712 02$aUnited States.$bBureau of Mines. 712 02$aGeological Survey (U.S.) 801 0$bGPO 801 1$bGPO 801 2$bOCLCQ 801 2$bIUL 801 2$bGPO 906 $aDOCUMENT 912 $a9910692108103321 996 $aGarnet$93422818 997 $aUNINA LEADER 05031nam 22005055 450 001 9910309856103321 005 20200705112012.0 010 $a981-13-1011-4 024 7 $a10.1007/978-981-13-1011-9 035 $a(CKB)4100000007463699 035 $a(MiAaPQ)EBC5637229 035 $a(DE-He213)978-981-13-1011-9 035 $a(EXLCZ)994100000007463699 100 $a20190116d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSemionauts of Tradition $eMusic, Culture and Identity in Contemporary Singapore /$fby Juliette Yu-Ming Lizeray, Chee-Hoo Lum 205 $a1st ed. 2018. 210 1$aSingapore :$cSpringer Singapore :$cImprint: Springer,$d2018. 215 $a1 online resource (255 pages) 311 $a981-13-1010-6 327 $aPreface -- Introduction -- Chapter 1: On Tradition, Youth and Music in Contemporary Singapore -- Chapter 2: Where got Singapore Sound? -- Chapter 3: Collaborative Creativity: Perspectives from a Contemporary Instrumental Group in Singapore -- Chapter 4: Strategic authenticity and the ?new Malay?: an ethnomusicological case study of NADI Singapura -- Chapter 5: Creative Processes and Musical Analysis -- Chapter 6: Music, Chineseness and the Quest for the Cool -- Chapter 7: Musings about Education and Professional Development -- Chapter 8: ?Identities? in Context of Ethnomusicology in the Singapore Music Scene -- Chapter 9: Perspectives on fieldwork in Singapore?s music scene -- Chapter 10: Voice of the Musicians - Commentaries and Reflections -- Acknowledgements. 330 $aThis book explores questions of identity, cultural change and creativity from the perspective of contemporary musicians currently engaged in redefining Asian musical traditions and notions of heritage in Singapore. Drawing on the fields of anthropology, cultural studies, and ethnomusicology, Semionauts of Traditionfocuses on emerging millennial musicians and explores the complex and interwoven cultural, national, musical, and personal identifications in their discourse and music practice. It shows how they create fluid, hybrid and counter-hegemonic forms of expression, representation and identity through their navigation of diverse cultural worlds, their incorporation of a myriad of elements into their own identities and music, and their contestations of preconceived notions of difference and tradition. The book exposes paradoxes within current thinking about ?multiracialism?, ?racial harmony?, the ?East/West divide? and ?tradition versus modernity,? and proposes new ways of understanding identity, cultural change and creativity in a highly globalised, and diverse nation. This highly-original polyvocal account of a burgeoning music scene includes photos, musical scores and reaction pieces by musicians. It is a timely contribution to global discussions about ?multiculturalism from below,? as well as musical, cultural and national identities in a postcolonial Southeast Asian setting, from the viewpoint of artists engaged in creative meaning-making. "This captivating book explores - with tremendous intellectual vitality - the dialectic relationships between the cultural, ethnic and national identities of Singapore?s creative youth, and their creative practice. A compelling read!" Dr Liora Bresler, Professor, University of Illinois "A well-researched and thoughtfully well-written book about the diverse forms of music in Singapore and the musicians who created it." - Jeremy Monteiro, jazz pianist, singer, composer, and music educator "This wonderfully lucid and compelling book analyzes the musical and cultural creativity of young Singaporean musicians growing up in a multicultural and ethnically plural society, bringing Asian and Western musical cultures into creative dialogue." - Dr Deborah Pacini Hernandez, Professor Emeritus, Tufts University "A thought provoking dialogue on contemporary Singaporean music!" -Eric Watson, composer, conductor, music technologist and pedagogue. 606 $aMusic 606 $aCultural studies 606 $aSoutheast Asia?History 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aCultural Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22040 606 $aHistory of Southeast Asia$3https://scigraph.springernature.com/ontologies/product-market-codes/715050 615 0$aMusic. 615 0$aCultural studies. 615 0$aSoutheast Asia?History. 615 14$aMusic. 615 24$aCultural Studies. 615 24$aHistory of Southeast Asia. 676 $a781.59903 700 $aLizeray$b Juliette Yu-Ming$4aut$4http://id.loc.gov/vocabulary/relators/aut$0999554 702 $aLum$b Chee-Hoo$4aut$4http://id.loc.gov/vocabulary/relators/aut 906 $aBOOK 912 $a9910309856103321 996 $aSemionauts of Tradition$92294294 997 $aUNINA