LEADER 04873nam 22005775 450 001 9910309855903321 005 20230810163341.0 010 $a3-030-00659-X 024 7 $a10.1007/978-3-030-00659-4 035 $a(CKB)4100000007522406 035 $a(MiAaPQ)EBC5646068 035 $a(DE-He213)978-3-030-00659-4 035 $a(EXLCZ)994100000007522406 100 $a20190121d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA Phenomenology of Musical Absorption /$fby Simon Høffding 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (290 pages) 225 1 $aNew Directions in Philosophy and Cognitive Science 311 $a3-030-00658-1 327 $aChapter 1. Introduction -- Part I: Meeting the Danish String Quartet -- Chapter 2. How Should We Study Musical Absorption? The Phenomenological Interview -- Chapter 3. From Ragdoll to Battle Commander: The Experience of Musical Absorption -- Chapter 4. A Topography of Muscial Absorption -- Part II: Comparative Perspectives -- Chapter 5. Expertise, Mind Wandering, and Amnesia -- Chapter 6. Artistic and Aesthetic Experience -- Chapter 7. Flow -- Chapter 8. Dreaming and Sleeping -- Chapter 9. Schizophrenia and Ipseity Disturbances -- Part III. Phenomenological Underpinnings of the Musically Extended Mind -- Chapter 10. Performative Passivity -- Chapter 11. The Hive Mind: Playing Together -- Chapter 12.Conclusions. 330 $a?Examining skilled performance in all its fascinating and mysterious intensity, Høffding really listens to his informants, developing exciting novel methods for interdisciplinary research on expertise.? ?John Sutton, Professor of Cognitive Science, Macquarie University, Sydney, Australia ?A valuable addition to the growing field of music and philosophy, the results are as fascinating as they are enlightening, and would be of interest to anyone seeking to explore the rich complexity of musical experience and the ways in which it is possible ? and indeed desirable ? to understand ourselves through it.? ?Nanette Nielsen, Associate Professor, University of Oslo, Norway ?This is a study conducted from the inside out ? starting inside the masterful musical performances of the Danish String Quartet, explicated in a detailed set of interviews with the musicians. Høffding brings the latest developments in phenomenology and cognitive science to bear on these issues, and creates one of the rare places where expertise in phenomenology meets expertise in musical performance ? an overall performance not to be missed.? ?Shaun Gallagher, Lillian and Morrie Moss Professor of Excellence, University of Memphis, USA This book presents a detailed analysis of what it means to be absorbed in playing music. Based on interviews with one of the world?s leading classical ensembles, ?The Danish String Quartet? (DSQ), it debunks the myth that experts cannot reflect while performing, but also shows that intense absorption is not something that can be achieved through will, intention, prediction or planning ? it remains something individuals have to be receptive to. Based in the phenomenological tradition of Husserl and Merleau-Ponty as well as of Dan Zahavi and Shaun Gallagher, it lays out the conditions and essential structures of musical absorption. Employing the lived experience of the DSQ members, it also engages and challenges core ideas in phenomenology, philosophy of mind, enactivism, expertise studies, musical psychology, flow theory, aesthetics, dream- and sleep studies, psychopathology and social ontology, and proposes a method that integrates phenomenology and cognitive science. Simon Høffding is a postdoctoral researcher at the Department of Musicology, University of Oslo, Norway. 410 0$aNew Directions in Philosophy and Cognitive Science 606 $aPhenomenology 606 $aMusic$xPhilosophy and aesthetics 606 $aPhilosophy of mind 606 $aCognitive psychology 606 $aPhenomenology 606 $aPhilosophy of Music 606 $aPhilosophy of Mind 606 $aCognitive Psychology 615 0$aPhenomenology. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aPhilosophy of mind. 615 0$aCognitive psychology. 615 14$aPhenomenology. 615 24$aPhilosophy of Music. 615 24$aPhilosophy of Mind. 615 24$aCognitive Psychology. 676 $a781.11 676 $a781.17 700 $aHøffding$b Simon$4aut$4http://id.loc.gov/vocabulary/relators/aut$0974386 906 $aBOOK 912 $a9910309855903321 996 $aA Phenomenology of Musical Absorption$92218324 997 $aUNINA