LEADER 03523nam 22005775 450 001 9910303434303321 005 20200706012557.0 010 $a3-030-02008-8 024 7 $a10.1007/978-3-030-02008-8 035 $a(CKB)4100000007335208 035 $a(MiAaPQ)EBC5627356 035 $a(DE-He213)978-3-030-02008-8 035 $a(EXLCZ)994100000007335208 100 $a20181230d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Comic Everywoman in Irish Popular Theatre $ePolitical Melodrama, 1890-1925 /$fby Susanne Colleary 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (136 pages) 225 1 $aPalgrave Studies in Comedy 311 $a3-030-02007-X 327 $a1. Popular Theatre in Ireland -- 2. Melodrama and its Discontents -- 3. Comic Women at work in Irish Political Melodrama: The Rule of Three -- 4. Ways of Playing ? Ways of Seeing: Comic Women at work in Irish Political Melodrama; A Practice as Research Approach. 330 $aThis book is a comprehensive study of comic women in performance as Irish Political Melodrama from 1890 to 1925. It maps out the performance contexts of the period, such as Irish ?poor? theatre both reflecting and complicating narratives of Irish Identity under British Rule. The study investigates the melodramatic aesthetic within these contexts and goes on to analyse a selection of the melodramas by the playwrights J.W. Whitbread and P.J. Bourke. In doing so, the analyses makes plain the comic structures and intent that work across both character and action, foregrounding comic women at the centre of the discussion. Finally, the book applies a ?practice as research? dimension to the study. Working through a series of workshops, rehearsals and a final performance, Colleary investigates comic identity and female performance through a feminist revisionist lens. She ultimately argues that the formulation of the Comic Everywoman as staged ?Comic? identity can connect beyond the theatre to her ?Everyday? self. This book is intended for those interested in theatre histories, comic women and in popular performance. . 410 0$aPalgrave Studies in Comedy 606 $aComedy 606 $aPopular Culture 606 $aTheater 606 $aEurope?Politics and government 606 $aComedy Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/411230 606 $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170 606 $aNational/Regional Theatre and Performance$3https://scigraph.springernature.com/ontologies/product-market-codes/415080 606 $aEuropean Politics$3https://scigraph.springernature.com/ontologies/product-market-codes/911130 615 0$aComedy. 615 0$aPopular Culture. 615 0$aTheater. 615 0$aEurope?Politics and government. 615 14$aComedy Studies. 615 24$aPopular Culture . 615 24$aNational/Regional Theatre and Performance. 615 24$aEuropean Politics. 676 $a822.914 676 $a792.7028082 700 $aColleary$b Susanne$4aut$4http://id.loc.gov/vocabulary/relators/aut$0926805 906 $aBOOK 912 $a9910303434303321 996 $aThe Comic Everywoman in Irish Popular Theatre$92081442 997 $aUNINA