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100   $a20171208d2018      u|         0
101 0 $aeng
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181   $ctxt$2rdacontent
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200 10$aSound and the Aesthetics of Play $eA Musical Ontology of Constructed Emotions /$fby Justin Christensen
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (VII, 128 p.) 
225 1 $aPalgrave Studies in Sound,$x2633-5875
311   $a3-319-66898-6 
320   $aIncludes bibliographical references and index.
327   $aChapter 1. The Aesthetics of Play -- Chapter 2. Musical Emotion.- Chapter 3. The Dynamic Autonomous Artwork -- Chapter 4.Modes of Awareness -- Chapter 5. Conclusions.
330   $aThis book is an interdisciplinary project that brings together ideas from aesthetics, philosophy, psychology, and music sociology as an expansion of German philosopher Hans-Georg Gadamer?s theory on the aesthetics of play. This way of thinking focuses on an ontology of the process of musicking rather than an ontology of discovering fixed and static musical objects. In line with this idea, the author discusses the importance of participation and involvement in this process of musicking, whether as a listener or as a performer. Christensen then goes on to critique and update Gadamer's theory by presenting incompatibilities between it and recent theories of aesthetic emotions and embodiment. He proposes that emotions are ?constructed? rather than ?caused?, that the mind uses a system of ?filters? to respond to sonic stimuli and thus constructs (via play) aesthetic feelings and experiences. In turn, this approach provides music with a route into the development of social capital and inter-subjective communication. This work builds on the hermeneutical steps already taken by Gadamer and those before him, continuing his line of thought beyond his work. It will be of great interest to scholars in music aesthetics as well as a variety of other music related fields, including music psychology, philosophy and science and technology studies.
410  0$aPalgrave Studies in Sound,$x2633-5875
606   $aTechnology?Sociological aspects
606   $aCultural studies
606   $aEmotions
606   $aMusic
606   $aMusic?Philosophy and aesthetics
606   $aScience and Technology Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22270
606   $aCultural Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22040
606   $aEmotion$3https://scigraph.springernature.com/ontologies/product-market-codes/Y20140
606   $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000
606   $aPhilosophy of Music$3https://scigraph.springernature.com/ontologies/product-market-codes/E11010
615  0$aTechnology?Sociological aspects.
615  0$aCultural studies.
615  0$aEmotions.
615  0$aMusic.
615  0$aMusic?Philosophy and aesthetics.
615 14$aScience and Technology Studies.
615 24$aCultural Studies.
615 24$aEmotion.
615 24$aMusic.
615 24$aPhilosophy of Music.
676   $a193
700   $aChristensen$b Justin$4aut$4http://id.loc.gov/vocabulary/relators/aut$0974192
906   $aBOOK
912   $a9910300854603321
996   $aSound and the Aesthetics of Play$92217847
997   $aUNINA