LEADER 03645nam 22005895 450 001 9910300632303321 005 20200701211451.0 010 $a3-319-91304-2 024 7 $a10.1007/978-3-319-91304-9 035 $a(CKB)3850000000034525 035 $a(DE-He213)978-3-319-91304-9 035 $a(MiAaPQ)EBC5455246 035 $a(EXLCZ)993850000000034525 100 $a20180704d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHip Hop, Hegel, and the Art of Emancipation $eLet's Get Free /$fby Jim Vernon 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (VII, 259 p.) 311 $a3-319-91303-4 327 $aChapter 1: Introduction -- Chapter 2: The South Bronx, or the ?State of Nature? -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion. 330 $aThis book argues that Hip Hop?s early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel?s Lectures on Aesthetics. It contends that the resonances between Hegel?s account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel?s philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel?s Aesthetics, as well as providing a philosophical explanation of the Hip Hop community?s transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other. . 606 $aAesthetics 606 $aPopular Culture 606 $aPhilosophy and social sciences 606 $aContinental Philosophy 606 $aPolitical philosophy 606 $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000 606 $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170 606 $aPhilosophy of the Social Sciences$3https://scigraph.springernature.com/ontologies/product-market-codes/E36000 606 $aContinental Philosophy$3https://scigraph.springernature.com/ontologies/product-market-codes/E47000 606 $aPolitical Philosophy$3https://scigraph.springernature.com/ontologies/product-market-codes/E37000 615 0$aAesthetics. 615 0$aPopular Culture. 615 0$aPhilosophy and social sciences. 615 0$aContinental Philosophy. 615 0$aPolitical philosophy. 615 14$aAesthetics. 615 24$aPopular Culture . 615 24$aPhilosophy of the Social Sciences. 615 24$aContinental Philosophy. 615 24$aPolitical Philosophy. 676 $a111.85 700 $aVernon$b Jim$4aut$4http://id.loc.gov/vocabulary/relators/aut$0900183 906 $aBOOK 912 $a9910300632303321 996 $aHip Hop, Hegel, and the Art of Emancipation$92209060 997 $aUNINA