LEADER 02362nam 22004455 450 001 9910300627803321 005 20240625133625.0 010 $a3-319-75568-4 024 7 $a10.1007/978-3-319-75568-7 035 $a(CKB)4100000003359403 035 $a(MiAaPQ)EBC5341362 035 $a(DE-He213)978-3-319-75568-7 035 $a(EXLCZ)994100000003359403 100 $a20180403d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aToward a Philosophy of the Documentarian $eA Prolegomenon /$fby Dan Geva 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (358 pages) 311 $a3-319-75567-6 327 $a1. Introduction -- 2. Documentarian-Abstractness (DA) -- 3. Documentarian-Sensoriality (DS) -- 4. Documentarian Práxis (DP) -- 5. Documentarian-Invisibility (DI). 330 $aThe theme of this book is the documentarian?what the documentarian is and how we can understand it as a concept. Working from the premise that the documentarian is a special?extended?sign, the book develops a model of a quadruple sign structure for-and-of the documentarian, growing out of enduring traditions in philosophy, semiotics, psychoanalysis, and documentary theory. Dan Geva investigates the intellectual premise that allows the documentarian to show itself as an extremely sophisticated, creative, and purposeful being-in-the-world?one that is both embedded in its own history and able to manifest itself throughout its entire documentary life project, as a stand-alone conceptual phase in the history of ideas. . 606 $aAesthetics 606 $aDocumentary films 606 $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000 606 $aDocumentary$3https://scigraph.springernature.com/ontologies/product-market-codes/413050 615 0$aAesthetics. 615 0$aDocumentary films. 615 14$aAesthetics. 615 24$aDocumentary. 676 $a070.18 700 $aGeva$b Dan$4aut$4http://id.loc.gov/vocabulary/relators/aut$0974380 906 $aBOOK 912 $a9910300627803321 996 $aToward a Philosophy of the Documentarian$92218312 997 $aUNINA