LEADER 03231nam 22004935 450 001 9910300612703321 005 20200704084406.0 010 $a3-319-65891-3 024 7 $a10.1007/978-3-319-65891-9 035 $a(CKB)4100000007110936 035 $a(MiAaPQ)EBC5588729 035 $a(DE-He213)978-3-319-65891-9 035 $a(EXLCZ)994100000007110936 100 $a20181102d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPhilosophy of the Novel$b[electronic resource] /$fby Barry Stocker 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (318 pages) 311 $a3-319-65890-5 327 $a1. Introduction -- 2. Epic in Aristotle and Vico -- 3. Idealism and Romanticism -- 4. Kierkegaard, Irony and Subjectivity -- 5. Lukács on Subjectivity and History (Introduced through Nietzsche) -- 6. Bakhtin, Ethics and Time -- 7. Mimesis, Humanism and History -- 8. Mimetic Limits -- 9. The Absolute Novel -- 10. The Philosophical Novel -- Bibliography -- Index. 330 $aThis book explores the aesthetics of the novel from the perspective of Continental European philosophy, presenting a theory on the philosophical definition and importance of the novel as a literary genre. It analyses a variety of individuals whose work is reflected in both theoretical literary criticism and Continental European aesthetics, including Mikhail Bakhtin, Georg Lukács, Theodor Adorno, and Walter Benjamin. Moving through material from eighteenth century and ancient Greek philosophy and aesthetics, the book provides comprehensive coverage of the major positions on the philosophy of the novel. Distinctive features include the importance of Vico?s view of the epic to understanding the novel, the importance of Kierkegaard?s view of the novel and irony along with his other aesthetic views, the different possibilities associated with seeing the novel as ?mimetic? and the importance of Proust in understanding the genre in all its philosophical aspects, relating the issue of the philosophical aesthetics of the novel with the issue of philosophy written as a novel and the interaction between these two alternative positions. 606 $aAesthetics 606 $aLiterature?Philosophy 606 $aLiterature?History and criticism 606 $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000 606 $aLiterary Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/812000 606 $aLiterary History$3https://scigraph.springernature.com/ontologies/product-market-codes/813000 615 0$aAesthetics. 615 0$aLiterature?Philosophy. 615 0$aLiterature?History and criticism. 615 14$aAesthetics. 615 24$aLiterary Theory. 615 24$aLiterary History. 676 $a801 700 $aStocker$b Barry$4aut$4http://id.loc.gov/vocabulary/relators/aut$0932889 906 $aBOOK 912 $a9910300612703321 996 $aPhilosophy of the Novel$92099706 997 $aUNINA