LEADER 03659nam  22006855  450 
001 9910300576503321
005 20200705052307.0
010   $a3-319-90454-X
024 7 $a10.1007/978-3-319-90454-2
035   $a(CKB)4100000005248173
035   $a(DE-He213)978-3-319-90454-2
035   $a(MiAaPQ)EBC5451263
035   $a(EXLCZ)994100000005248173
100   $a20180710d2018      u|             0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aI Got Something to Say$b[electronic resource] $eGender, Race, and Social Consciousness in Rap Music /$fby Matthew Oware
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (XI, 240 p.)
311   $a3-319-90453-1 
327   $a1. Introduction: Started From the Bottom -- 2. Man Up: Bring the Ruckus -- 3. In the New World Order: The Baddest Bitch -- 4. Coming Straight from the Underground -- 5. Race, Masculinity, and Underground Rap -- 6. Underground Women Rappers -- 7. The Future of Rap Music.
330   $aWhat do millennial rappers in the United States say in their music? This timely and compelling book answers this question by decoding the lyrics of over 700 songs from contemporary rap artists. Using innovative research techniques, Matthew Oware reveals how emcees perpetuate and challenge gendered and racialized constructions of masculinity, femininity, and sexuality. Male and female artists litter their rhymes with misogynistic and violent imagery. However, men also express a full range of emotions, from arrogance to vulnerability, conveying a more complex manhood than previously acknowledged. Women emphatically state their desires while embracing a more feminist approach. Even LGBTQ artists stake their claim and express their sexuality without fear. Finally, in the age of Black Lives Matter and the presidency of Donald J. Trump, emcees forcefully politicize their music. Although complicated and contradictory in many ways, rap remains a powerful medium for social commentary.
606   $aMass media
606   $aCommunication
606   $aCultural studies
606   $aMusic
606   $aAfrican Americans
606   $aCulture
606   $aGender
606   $aMen
606   $aMedia Sociology$3https://scigraph.springernature.com/ontologies/product-market-codes/X22110
606   $aCultural Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22040
606   $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000
606   $aAfrican American Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411020
606   $aCulture and Gender$3https://scigraph.springernature.com/ontologies/product-market-codes/411210
606   $aMen's Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X35030
615  0$aMass media.
615  0$aCommunication.
615  0$aCultural studies.
615  0$aMusic.
615  0$aAfrican Americans.
615  0$aCulture.
615  0$aGender.
615  0$aMen.
615 14$aMedia Sociology.
615 24$aCultural Studies.
615 24$aMusic.
615 24$aAfrican American Culture.
615 24$aCulture and Gender.
615 24$aMen's Studies.
676   $a201.7
700   $aOware$b Matthew$4aut$4http://id.loc.gov/vocabulary/relators/aut$0855606
906   $aBOOK
912   $a9910300576503321
996   $aI Got Something to Say$91910250
997   $aUNINA