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010   $a9783319952109
010   $a3319952102
024 7 $a10.1007/978-3-319-95210-9
035   $a(CKB)4100000005323225
035   $a(DE-He213)978-3-319-95210-9
035   $a(MiAaPQ)EBC5476824
035   $a(Perlego)3495239
035   $a(EXLCZ)994100000005323225
100   $a20180725d2018      u|         0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aEconomies of Collaboration in Performance $eMore than the Sum of the Parts /$fby Karen Savage, Dominic Symonds
205   $a1st ed. 2018.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018.
215   $a1 online resource (XIII, 311 p. 14 illus.)
311 08$a9783319952093 
311 08$a3319952099 
320   $aIncludes bibliographical references and index.
327   $a1. Introduction -- 2. Economics -- 3. Collaboration -- 4. Biopolitics -- 5. Network -- 6. Audience -- 7. Host -- 8. Swarm -- 9. Crowd -- 10. Conclusion.
330   $aThis is a book about collaboration in the arts, which explores how working together seems to achieve more than the sum of the parts. It introduces ideas from economics to conceptualize notions of externalities, complementarity, and emergence, and playfully explores collaborative structures such as the swarm, the crowd, the flock, and the network. It uses up-to-date thinking about Wikinomics, Postcapitalism, and Biopolitics, underpinned by ideas from Foucault, Bourriaud, and Hardt and Negri. In a series of thought-provoking case studies, the authors consider creative practices in theatre, music and film. They explore work by artists such as Gob Squad, Eric Whitacre, Dries Verhoeven, Pete Wyer, and Tino Seghal, and encounter both live and online collaborative possibilities in fascinating discussions of Craigslist and crowdfunding at the Edinburgh Festival. What is revealed is that the introduction of Web 2.0 has enabled a new paradigm of artistic practice to emerge, in which participatory encounters, collaboration, and online dialogue become key creative drivers. Written itself as a collaborative project between Karen Savage and Dominic Symonds, this is a strikingly original take on the economics of working together.
606   $aPerforming arts
606   $aTheater
606   $aDance
606   $aTheatre and Performance Arts
606   $aDance
615  0$aPerforming arts.
615  0$aTheater.
615  0$aDance.
615 14$aTheatre and Performance Arts.
615 24$aDance.
676   $a790
700   $aSavage$b Karen$4aut$4http://id.loc.gov/vocabulary/relators/aut$0892305
702   $aSymonds$b Dominic$4aut$4http://id.loc.gov/vocabulary/relators/aut
906   $aBOOK
912   $a9910300040003321
996   $aEconomies of Collaboration in Performance$91992548
997   $aUNINA