LEADER 04050nam 22006375 450 001 9910300036703321 005 20200705103700.0 010 $a3-319-92471-0 024 7 $a10.1007/978-3-319-92471-7 035 $a(CKB)4100000006995894 035 $a(MiAaPQ)EBC5529480 035 $a(DE-He213)978-3-319-92471-7 035 $a(EXLCZ)994100000006995894 100 $a20180929d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerforming Music History $eMusicians Speak First-Hand about Music History and Performance /$fedited by John C. Tibbetts, Michael Saffle, William A. Everett 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (380 pages) 311 $a3-319-92470-2 327 $a1. Introduction -- 2. Medieval and Early Modern Music -- 3. Late Baroque Music -- 4. A Clutch of Instruments -- 5. Classical and Early Romantic Music -- 6. The Romantic Piano -- 7. From Romanticism Toward Modernism -- 8. The Art of The Accompanist -- 9. Musical Multiplicities in The Twentieth And Twenty-First Centuries -- 10. On Stage And Screen -- 11. Engaging Audiences. 330 $aPerforming Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artists?singers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greats?provide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals. The book covers music history through lenses that include ?authentic? performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation, Performing Music History explores historical contexts for a host of fascinating issues. 606 $aPopular Culture 606 $aMusic 606 $aTheater 606 $aActors 606 $aPerforming arts 606 $aCulture 606 $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aPerformers and Practitioners$3https://scigraph.springernature.com/ontologies/product-market-codes/415090 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aGlobal/International Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411160 615 0$aPopular Culture. 615 0$aMusic. 615 0$aTheater. 615 0$aActors. 615 0$aPerforming arts. 615 0$aCulture. 615 14$aPopular Culture . 615 24$aMusic. 615 24$aPerformers and Practitioners. 615 24$aPerforming Arts. 615 24$aGlobal/International Culture. 676 $a786 702 $aTibbetts$b John C$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSaffle$b Michael$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aEverett$b William A$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910300036703321 996 $aPerforming Music History$92260887 997 $aUNINA