LEADER 01231nam 2200325Ia 450 001 996383738303316 005 20221108064933.0 035 $a(CKB)1000000000593472 035 $a(EEBO)2240933719 035 $a(OCoLC)12561341 035 $a(EXLCZ)991000000000593472 100 $a19850916d1679 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aLondons defiance to Rome$b[electronic resource] $ea perfect narrative of the magnificent procession and solemn burning of the Pope at Temple-Barr, Nov. 17th, 1679 (being the coronation-day of that never-to-be-forgotten Princess, Queen Elizabeth) with a description of the order, rich habits, extraordinary fire-works, songs, and general tryumphs attending that illustrious ceremony 210 $a[London $cs.n.$d1679] 215 $a4 p 300 $aAttributed to Elkanah Settle. Cf. NUC pre-1956. 300 $aCaption title. 300 $aReproduction of original in Huntington Library. 330 $aeebo-0113 700 $aSettle$b Elkanah$f1648-1724.$0815635 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996383738303316 996 $aLondons defiance to Rome$92324831 997 $aUNISA LEADER 02958nam 22005535 450 001 9910300035003321 005 20220114235411.0 010 $a9783319957326 010 $a3319957325 024 7 $a10.1007/978-3-319-95732-6 035 $a(CKB)4100000006674801 035 $a(MiAaPQ)EBC5521410 035 $a(DE-He213)978-3-319-95732-6 035 $a(Perlego)3493411 035 $a(EXLCZ)994100000006674801 100 $a20180922d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGender Inequality in Screenwriting Work /$fby Natalie Wreyford 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (222 pages) 311 08$a9783319957319 311 08$a3319957317 327 $a1. Introduction: The extent of gender inequality in film screenwriting work -- 2. Gendering the screenwriter -- 3. Gender, capital and getting in -- 4. The gendered dynamics of the recruitment of screenwriters -- 5. The impact of motherhood on screenwriters -- 6. Being outnumbered -- 7. Gendering taste -- 8. Conclusions: Moving beyond numbers to make change happen. 330 $aThis is the first book to critically examine the recruitment and working practices of screenwriters. Drawing on interviews with screenwriters and those that employ them, Natalie Wreyford provides a deep and detailed understanding of entrenched gender inequality in the UK film industry and answers the question: what is preventing women from working as screenwriters? She considers how socialised recruitment and gendered taste result in exclusion, and uncovers subtle forms of sexism that cause women's stories and voices to be discounted.Gender Inequality in Screenwriting Work also reveals the hidden labour market of the UK film industry, built on personal connections, homophily and the myth of meritocracy. It is essential reading for students and scholars of gender, creative industries, film and cultural studies, as well as anyone who wants to understand why women remain excluded from many key roles in filmmaking. 606 $aMotion picture authorship 606 $aSex 606 $aMotion picture industry 606 $aTelevision broadcasting 606 $aScreenwriting 606 $aGender Studies 606 $aFilm and Television Industry 615 0$aMotion picture authorship. 615 0$aSex. 615 0$aMotion picture industry. 615 0$aTelevision broadcasting. 615 14$aScreenwriting. 615 24$aGender Studies. 615 24$aFilm and Television Industry. 676 $a808.23 700 $aWreyford$b Natalie$4aut$4http://id.loc.gov/vocabulary/relators/aut$0974998 906 $aBOOK 912 $a9910300035003321 996 $aGender Inequality in Screenwriting Work$92220101 997 $aUNINA