LEADER 00963nam0-22003011i-450 001 990005332690403321 005 20230721095807.0 035 $a000533269 100 $a19990604d1944----km-y0itay50------ba 101 0 $alat 102 $aIT 105 $ay-------001yy 200 1 $aC. Lucili Saturarum reliquiae$fin usus maxime academicum digessit brevissimaque adnotatione critica instruxit N. Terzaghi 205 $aEditio altera 210 $aFlorentiae$cIn aedibus F. Le Monnier$d1944 215 $aVII, 93 p.$d20 cm 225 1 $aNuova biblioteca dei classici greci e latini 500 10$aSaturae, fragmenta$924536 676 $a870.01 700 1$aLucilius,$bCaius$f$0185845 702 1$aTerzaghi,$bNicola 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005332690403321 952 $aP2B-650-LUCIL.-200A-1944$bARCH. 14054$fFLFBC 959 $aFLFBC 996 $aSaturae, fragmenta$924536 997 $aUNINA LEADER 02689nam 22005535 450 001 9910300033103321 005 20240724110840.0 010 $a9783319915180 010 $a3319915185 024 7 $a10.1007/978-3-319-91518-0 035 $a(CKB)4100000005249101 035 $a(DE-He213)978-3-319-91518-0 035 $a(MiAaPQ)EBC5455728 035 $a(Perlego)3490693 035 $a(EXLCZ)994100000005249101 100 $a20180716d2018 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBeckett's Intuitive Spectator $eMe to Play /$fby Michelle Chiang 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (VIII, 196 p.) 225 1 $aNew Interpretations of Beckett in the Twenty-First Century,$x2945-6800 311 08$a9783319915173 311 08$a3319915177 327 $a1. Introduction -- 2. The Intuition of Loss in Beckett's Radio Plays -- 3. Film and the Ecstatic Spectator -- 4. Time out from the World: Respite in Beckett's Stage plays -- 5. The Disengaging Beckettian Television Audience and the Monument to Loss -- 6. Conclusion. 330 $aBeckett's Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member's habitual way of understanding could be frustrated by Beckett's film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition. . 410 0$aNew Interpretations of Beckett in the Twenty-First Century,$x2945-6800 606 $aEuropean literature 606 $aLiterature, Modern$y20th century 606 $aTheater$xHistory 606 $aEuropean Literature 606 $aTwentieth-Century Literature 606 $aContemporary Theatre and Performance 615 0$aEuropean literature. 615 0$aLiterature, Modern 615 0$aTheater$xHistory. 615 14$aEuropean Literature. 615 24$aTwentieth-Century Literature. 615 24$aContemporary Theatre and Performance. 676 $a809.41 700 $aChiang$b Michelle$4aut$4http://id.loc.gov/vocabulary/relators/aut$0855641 906 $aBOOK 912 $a9910300033103321 996 $aBeckett's Intuitive Spectator$91910328 997 $aUNINA