LEADER 01096nam--2200397---450- 001 990003068480203316 005 20140417130920.0 010 $a0-510-34021-0 035 $a000306848 035 $aUSA01000306848 035 $a(ALEPH)000306848USA01 035 $a000306848 100 $a20080222d1964----km-y0itay50------ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $a<> new way to pay old debts$fPhilip Massinger$gedited by T. W. Craik 210 $aLondon$cErnest Benn$d1964 215 $aXXII, 105 p.$d21 cm 225 2 $a<> New Mermaids 410 0$12001 454 1$12001$a<> New Mermaids$928475 461 1$1001-------$12001 606 0 $aLetteratura inglese 676 $a822.3 700 1$aMASSINGER,$bPhilip$0166729 702 1$aCRAIK,$bT.W. 801 0$aIT$bsalbc$gISBD 912 $a990003068480203316 951 $aII.2.A.109$I626 DSLL 959 $aBK 969 $aDSLL 979 $aDSLL$b90$c20080222$lUSA01$h0916 979 $aMARANO$b90$c20140417$lUSA01$h1309 996 $aNew Mermaids$928475 997 $aUNISA LEADER 03717nam 22006015 450 001 9910300031903321 005 20200630120348.0 010 $a3-319-93103-2 024 7 $a10.1007/978-3-319-93103-6 035 $a(CKB)4100000005679199 035 $a(MiAaPQ)EBC5491623 035 $a(DE-He213)978-3-319-93103-6 035 $a(PPN)23510972X 035 $a(EXLCZ)994100000005679199 100 $a20180810d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNational Identity in 21st-Century Cuban Cinema $eScreening the Repeating Island /$fby Dunja Fehimovi? 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (290 pages) 311 $a3-319-93102-4 327 $a1. Introduction: Screening the Repeating Island -- 2. A Cuban Zombie Nation?: Monsters in Havana -- 3. Not Child's Play: Tactics, Strategies, and Heterotopias -- 4. Time 'Out of Joint': Icons, Images, and Archives -- 5. Of Moles and Giraffes: Recluses, Drifters, and Disconnection -- 6. Conclusion: Shipwrecks and Seasickness. 330 $aNational Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures?the monster, the child, the historic icon, and the recluse?in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, ?independent? production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen?both hiding and revealing?a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world. 606 $aMotion pictures, American 606 $aEthnology?Latin America 606 $aPopular Culture 606 $aFilm genres 606 $aLatin America?Politics and government 606 $aLatin American Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413120 606 $aLatin American Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411080 606 $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170 606 $aGenre$3https://scigraph.springernature.com/ontologies/product-market-codes/413110 606 $aLatin American Politics$3https://scigraph.springernature.com/ontologies/product-market-codes/911150 615 0$aMotion pictures, American. 615 0$aEthnology?Latin America. 615 0$aPopular Culture. 615 0$aFilm genres. 615 0$aLatin America?Politics and government. 615 14$aLatin American Cinema and TV. 615 24$aLatin American Culture. 615 24$aPopular Culture . 615 24$aGenre. 615 24$aLatin American Politics. 676 $a305.80097291 700 $aFehimovi?$b Dunja$4aut$4http://id.loc.gov/vocabulary/relators/aut$0964446 906 $aBOOK 912 $a9910300031903321 996 $aNational Identity in 21st-Century Cuban Cinema$92188077 997 $aUNINA